Film Jive adopts an informal, autodidactic approach in considering the interdisciplinary aspects of cinema, and more specifically, its relation to philosophy, literature, music, and politics. Through this path of inquiry, the show attempts to generate discussion and sonic experiences which imagine new forms of cinema and continue to locate linkages between seemingly disparate threads of cinematic thinking.
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Film Jive adopts an informal, autodidactic approach in considering the interdisciplinary aspects of cinema, and more specifically, its relation to philosophy, literature, music, and politics. Through this path of inquiry, the show attempts to generate discussion and sonic experiences which imagine new forms of cinema and continue to locate linkages between seemingly disparate threads of cinematic thinking.
Originally published in March of 2016, Zach Betonte, Andrew Swope and Simone Barros discuss Stanley Donen’s Lerner and Loewe musical “The Little Prince'' adapted from Antoine de Saint-Exupéry’s novella of the same name and originally released in 1974. The discussion addresses how the film addresses the text’s existential themes, excavates its influence on future American musical forms, and its eclectic cast of characters.
Film Jive
Film Jive adopts an informal, autodidactic approach in considering the interdisciplinary aspects of cinema, and more specifically, its relation to philosophy, literature, music, and politics. Through this path of inquiry, the show attempts to generate discussion and sonic experiences which imagine new forms of cinema and continue to locate linkages between seemingly disparate threads of cinematic thinking.
