Which classic films still work for audiences today? On Film Generations, two guys born in the middle of 20th Century movie culture select a classic film to share with a panel of young film lovers — and see how it plays for today's generation.
Along the way we discuss the making of each film, the state of the world when it was made, its reception by critics and public when originally released, and how its reputation has grown over the years. Discussions cover changes in representation, storytelling styles and the world itself since each film came out. At the end of every episode each panelist rates the movie and reveals whether they would recommend it to a friend.
Join us on Film Generations as we explore the greatest classic movies through the eyes of film lovers young and old.
An ElectraCast Production.
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Which classic films still work for audiences today? On Film Generations, two guys born in the middle of 20th Century movie culture select a classic film to share with a panel of young film lovers — and see how it plays for today's generation.
Along the way we discuss the making of each film, the state of the world when it was made, its reception by critics and public when originally released, and how its reputation has grown over the years. Discussions cover changes in representation, storytelling styles and the world itself since each film came out. At the end of every episode each panelist rates the movie and reveals whether they would recommend it to a friend.
Join us on Film Generations as we explore the greatest classic movies through the eyes of film lovers young and old.
An ElectraCast Production.
1941’s outrageous screwball romantic comedy, The Lady Eve brought together three of Hollywood’s most dynamic and unstoppable forces: Barbara Stanwyck, in her peak year with five starring roles, including also Ball of Fire (Oscar nominated for Best Actress), and Meet John Doe; Henry Fonda, hot off his award-winning turns in Grapes of Wrath and Young Mr. Lincoln; and perhaps riding highest of all, Preston Sturges, who was in the middle of a run of seven giant hits as writer/director in the space of only three years – a feat that remains unequaled in Hollywood even to this day.
Sturges was so hot that he became the 3rd-highest-paid employee in the world, and yet when the streak ended in 1944, his career crashed like no other.
What remarkable ingredients fueled his artistic rise and fall? Why is his name only occasionally recalled when the likes of Orson Welles, Peter Bogdanovich, John Lasseter, Wes Anderson, and the Coen Brothers point to his enormous influence?
And why are these cheeky, offbeat, incredibly witty films that delight critics and audiences so unfamiliar to Millennials? Can a Preston Sturges classic still resonate in today’s culture?
Find out in this episode of Film Generations.
Hosts: Mark Netter & David Tausik
Panelists: Jake Flowers, Kylee LaRue & Olive Goldberg
An ElectraCast Production
NY Times’ Best Film of 1941
Top 100 lists: #28 AFI Greatest Romances, #55 AFI Greatest Comedies, #52 WGA Greatest Screenplays,
#59 Entertainment Weekly Greatest Films Ever
IMDb: https://www.imdb.com/title/tt0033804/?ref_=fn_al_tt_1
Wikipedia: https://en.wikipedia.org/wiki/The_Lady_Eve
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Film Generations
Which classic films still work for audiences today? On Film Generations, two guys born in the middle of 20th Century movie culture select a classic film to share with a panel of young film lovers — and see how it plays for today's generation.
Along the way we discuss the making of each film, the state of the world when it was made, its reception by critics and public when originally released, and how its reputation has grown over the years. Discussions cover changes in representation, storytelling styles and the world itself since each film came out. At the end of every episode each panelist rates the movie and reveals whether they would recommend it to a friend.
Join us on Film Generations as we explore the greatest classic movies through the eyes of film lovers young and old.
An ElectraCast Production.
