In the futuristic world of 2019, robots are indistinguishable from human beings, and host Klaire Lockheart explores the movie Blade Runner (1982) with photographer Aaron C Packard. After questioning the legitimacy of “zoom and enhance” photographic technology, they discuss the sci-fi noir aesthetic of the film. They also rate the movie according to the Maenad-O-Meter. Finally, Rachael-Anne Omps receives her Honorary Doctor of Dystopian Studies degree from the Unaccredited College of Klaire.