Whether creativity is a professional endeavor or just a hobby it usually results in a number (sometimes large) of creative output. What is going to happen with it upon the death of a creative? Are those hundreds of paintings to be kept in storage, thrown away, donated, burned, sold? What about the brushes, easels, hammers or bags of concrete? In this episode, I would like to address the matter of artist’s heritage, as well as pull together some important questions for the artists to reflect upon and for their advisers to take into account in their discussions with their clients.
Links to materials mentioned in this episode:
the episode on the right to destroy is accessible here --https://soundcloud.com/user-796059586/exploring-the-art-market-ep-8-the-right-to-destroy
and my article on Value of an artwork is to be read here -- https://artlaw.club/en/artlaw/the-mysterious-world-of-the-value-of-art
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Whether creativity is a professional endeavor or just a hobby it usually results in a number (sometimes large) of creative output. What is going to happen with it upon the death of a creative? Are those hundreds of paintings to be kept in storage, thrown away, donated, burned, sold? What about the brushes, easels, hammers or bags of concrete? In this episode, I would like to address the matter of artist’s heritage, as well as pull together some important questions for the artists to reflect upon and for their advisers to take into account in their discussions with their clients.
Links to materials mentioned in this episode:
the episode on the right to destroy is accessible here --https://soundcloud.com/user-796059586/exploring-the-art-market-ep-8-the-right-to-destroy
and my article on Value of an artwork is to be read here -- https://artlaw.club/en/artlaw/the-mysterious-world-of-the-value-of-art
A famous graffiti artist Banksy never admitted he is an author of his artworks. Except for the book “Wall and piece” (Century, The Random House Group Limited 2005). There on the intro page, he does claim authorship — “Against his better judgment, Banksy has asserted his right under the Copyright, Designs and Patent Act, 1988 to be identified as the author of this work.” Also Banksy’s well-known quote: “Copyright is for losers” has a copyright sign behind it. Yet, that’s where Intellectual property (further - IP) protection basically “ends” for graffiti artists, those “street vandals” damaging properties belonging to someone else, or… doesn’t it?
In this episode I would like to discuss graffiti and where does the legal protection stand in its respect.
Previous episodes of “Exploring the art market” podcast:
Episode 1 — Mediation of art-related disputes:
https://soundcloud.com/user-796059586/exploring_the_art_market_ep1_mediation_and_art
Episode 2 — Art market bubbles:
https://soundcloud.com/user-796059586/exploring_the_art_market_ep2_art_market_bubbles
Episode 3 — Value of art
https://soundcloud.com/user-796059586/exploring_the_art_market_ep3_value_of_art
All comments and suggestions for the podcast are highly welcome either in the comment section below or directly to my e-mail: maria.boicova@gmail.com.
Thanks for listening and till next time on “Exploring the art market” podcast.
Now available also on iTunes.
Exploring the Art Market
Whether creativity is a professional endeavor or just a hobby it usually results in a number (sometimes large) of creative output. What is going to happen with it upon the death of a creative? Are those hundreds of paintings to be kept in storage, thrown away, donated, burned, sold? What about the brushes, easels, hammers or bags of concrete? In this episode, I would like to address the matter of artist’s heritage, as well as pull together some important questions for the artists to reflect upon and for their advisers to take into account in their discussions with their clients.
Links to materials mentioned in this episode:
the episode on the right to destroy is accessible here --https://soundcloud.com/user-796059586/exploring-the-art-market-ep-8-the-right-to-destroy
and my article on Value of an artwork is to be read here -- https://artlaw.club/en/artlaw/the-mysterious-world-of-the-value-of-art
