Whether creativity is a professional endeavor or just a hobby it usually results in a number (sometimes large) of creative output. What is going to happen with it upon the death of a creative? Are those hundreds of paintings to be kept in storage, thrown away, donated, burned, sold? What about the brushes, easels, hammers or bags of concrete? In this episode, I would like to address the matter of artist’s heritage, as well as pull together some important questions for the artists to reflect upon and for their advisers to take into account in their discussions with their clients.
Links to materials mentioned in this episode:
the episode on the right to destroy is accessible here --https://soundcloud.com/user-796059586/exploring-the-art-market-ep-8-the-right-to-destroy
and my article on Value of an artwork is to be read here -- https://artlaw.club/en/artlaw/the-mysterious-world-of-the-value-of-art
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Whether creativity is a professional endeavor or just a hobby it usually results in a number (sometimes large) of creative output. What is going to happen with it upon the death of a creative? Are those hundreds of paintings to be kept in storage, thrown away, donated, burned, sold? What about the brushes, easels, hammers or bags of concrete? In this episode, I would like to address the matter of artist’s heritage, as well as pull together some important questions for the artists to reflect upon and for their advisers to take into account in their discussions with their clients.
Links to materials mentioned in this episode:
the episode on the right to destroy is accessible here --https://soundcloud.com/user-796059586/exploring-the-art-market-ep-8-the-right-to-destroy
and my article on Value of an artwork is to be read here -- https://artlaw.club/en/artlaw/the-mysterious-world-of-the-value-of-art
When someone buys a painting or a sculpture s/he most of the time gets an actual possession of an actual object. Yet, when it comes to performance art, is there a way how to ever own it? Even more so, provided that copyright protects original ideas fixed in a tangible form, is performance art even protectable at all? This episode of “Exploring the art market” podcast explores the performance art from the point of view of authorship, ownership, and protection thereof.
Exploring the Art Market
Whether creativity is a professional endeavor or just a hobby it usually results in a number (sometimes large) of creative output. What is going to happen with it upon the death of a creative? Are those hundreds of paintings to be kept in storage, thrown away, donated, burned, sold? What about the brushes, easels, hammers or bags of concrete? In this episode, I would like to address the matter of artist’s heritage, as well as pull together some important questions for the artists to reflect upon and for their advisers to take into account in their discussions with their clients.
Links to materials mentioned in this episode:
the episode on the right to destroy is accessible here --https://soundcloud.com/user-796059586/exploring-the-art-market-ep-8-the-right-to-destroy
and my article on Value of an artwork is to be read here -- https://artlaw.club/en/artlaw/the-mysterious-world-of-the-value-of-art
