“What is it that a woman recognizes when she recognizes herself in another woman? This is the question that hovers in the margins of all three books in Léger’s exquisite trilogy,” Eula Biss wrote of Léger’s work in the New Yorker. “The books are extraordinary in the way they are written,” Biss adds. “Léger’s sentences give the impression that they are doing exactly what they want to do. Her paragraphs are not dutiful, not in service to the previous or following paragraphs, but exhilaratingly independent…The essay, already a flexible genre, is at its most gymnastic here, as Léger passes through the many postures of a complex floor routine to produce one fluid, circuitous movement of thought. Her style, unconventional as it is, does not feel contrived. It feels inevitable—as if these books sprang from her mind fully formed, like Athena, born of a splitting headache.”
Nathalie Léger
Nathalie Léger is the author of several short experimental novels based on her research work as a curator, as well as a volume of illustrated, aphoristic flash-fiction, published under a pseudonym. The director of the Institut Mémoires de l’édition contemporaine (IMEC), which gathers archives and studies related to the main French publishing houses, she lives and works in Paris and in Caen. She curated two Pompidou Centre exhibitions on Roland Barthes and on Samuel Beckett in 2002 and 2007.
Eula Biss
The author of four books, Eula Biss holds an MFA in nonfiction writing from the University of Iowa and has been teaching at Northwestern University for fifteen years. Her work has been translated into over ten languages and has been recognized by a Guggenheim Fellowship, among many other prizes. Her essays and poems have appeared in the New Yorker, the Guardian, Harper’s, and the New York Times Magazine, among other publications. Biss was the Library’s Visiting Fellow from 2020-21. The Visiting Fellowship is generously supported by the The de Groot Foundation.
The discussion is co-sponsored by Dorothy, a publishing project, which is an award-winning feminist press dedicated to works of fiction or near fiction or about fiction, based in St. Louis, USA. North American readers can purchase the books discussed in this event through Dorothy’s website. In the UK and Europe, these books are available through the UK publisher Les Fugitives.