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Eurovision Song Context
Bradley Dalton-Oates
74 episodes
3 weeks ago
We start with expertise and end up in Eurovision. It’s kind of our thing. Eurovision Song Context is a monthly podcast that looks at the Eurovision Song Contest through an unexpected lens: expert insight. Each episode, a guest from a different field — psychology, fashion, politics, design, linguistics, and more — talk about their work and how it helps us understand 2–3 Eurovision entries in a whole new light. Are these songs genuinely good? So bad they’re good? Or just weirdly unforgettable? Longform episodes come out on the 12th of every month (the "douzeth"). We're where brilliant minds meet bad key changes.
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All content for Eurovision Song Context is the property of Bradley Dalton-Oates and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
We start with expertise and end up in Eurovision. It’s kind of our thing. Eurovision Song Context is a monthly podcast that looks at the Eurovision Song Contest through an unexpected lens: expert insight. Each episode, a guest from a different field — psychology, fashion, politics, design, linguistics, and more — talk about their work and how it helps us understand 2–3 Eurovision entries in a whole new light. Are these songs genuinely good? So bad they’re good? Or just weirdly unforgettable? Longform episodes come out on the 12th of every month (the "douzeth"). We're where brilliant minds meet bad key changes.
Show more...
Arts
Music,
Places & Travel,
Society & Culture
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Episode 66: Staging & Body Language Analysis in Eurovision 2025 with Mark Bowden!
Eurovision Song Context
1 hour 20 minutes 24 seconds
6 months ago
Episode 66: Staging & Body Language Analysis in Eurovision 2025 with Mark Bowden!

In this episode, Bradley is joined by body language expert and author Mark Bowden (The Behavior Panel) to break down performances from Sweden, Estonia, Georgia, Austria, and the United Kingdom. They also take a closer look at Martin Österdahl’s body language — and his choice of Rolex.

Links:

Martin gets booed at Eurovision 2024 while delivering his tag line “we’re good to go” (30 seconds):
https://www.youtube.com/watch?v=IMd0BAyu8wk

Martin Osterdahl's Watch:
https://www.shutterstock.com/editorial/image-editorial/martin-%C3%B6sterdahl-eurovision-toppchefen-%C3%A4r-nybliven-debutf%C3%B6rfattare-med-8500433cf

Artist: Johannes Pietsch "JJ", Austria
Song: Wasted Love
https://www.youtube.com/watch?v=-ieSTNpxvio

Artist: KAJ, Sweden
Song: Bara bada bastu
https://www.youtube.com/watch?v=QIvtyzCYJDg

Tommy Cash, Estonia
Song: Espresso Macchiato
https://www.youtube.com/watch?v=sHt5f8hUei4

Remember Monday, United Kingdom
Song: What the Hell Just Happened
https://www.youtube.com/watch?v=-hu6R3ZnOdY&list=RD-hu6R3ZnOdY&start_radio=1

Mariam Shengelia, Georgia
Song: Freedom
https://www.youtube.com/watch?v=c3wu0dUNd4c


Book, USA: Truth and Lies: What People Are Really Thinking
https://www.amazon.com/Truth-Lies-People-Really-Thinking/dp/1443452092

Book, UK: Truth and Lies: What People Are Really Thinking
https://www.amazon.co.uk/Truth-Lies-People-Really-Thinking-ebook/dp/B072L52J3D

The Behavior Panel on YouTube:
https://www.youtube.com/@TheBehaviorPanel/videos

TEDx Mark Bowden, The Importance of Being Inauthentic:
https://www.youtube.com/watch?v=1zpf8H_Dd40

The King Who Never Was, Netflix
https://www.netflix.com/title/81495974


Bradley reviews Azerbaijan, Estonia, Iceland, Netherlands, Norway, & Switzerland on the EuroWhat Podcast:
https://www.eurowhat.com/262

The Musical Remix of Bradley's Espresso Macchiato rant from the EuroWhat:
https://www.youtube.com/watch?v=YLQVq95PIwI

Eurovision Song Context
We start with expertise and end up in Eurovision. It’s kind of our thing. Eurovision Song Context is a monthly podcast that looks at the Eurovision Song Contest through an unexpected lens: expert insight. Each episode, a guest from a different field — psychology, fashion, politics, design, linguistics, and more — talk about their work and how it helps us understand 2–3 Eurovision entries in a whole new light. Are these songs genuinely good? So bad they’re good? Or just weirdly unforgettable? Longform episodes come out on the 12th of every month (the "douzeth"). We're where brilliant minds meet bad key changes.