Home
Categories
EXPLORE
True Crime
Comedy
Business
Society & Culture
Health & Fitness
Sports
Technology
About Us
Contact Us
Copyright
© 2024 PodJoint
00:00 / 00:00
Podjoint Logo
US
Sign in

or

Don't have an account?
Sign up
Forgot password
https://is1-ssl.mzstatic.com/image/thumb/Podcasts122/v4/d5/25/87/d525874b-844a-aaca-544b-01f956e1bfa4/mza_16612583769883854302.jpg/600x600bb.jpg
Eurovision Song Context
Bradley Dalton-Oates
73 episodes
2 weeks ago
We start with expertise and end up in Eurovision. It’s kind of our thing. Eurovision Song Context is a monthly podcast that looks at the Eurovision Song Contest through an unexpected lens: expert insight. Each episode, a guest from a different field — psychology, fashion, politics, design, linguistics, and more — talk about their work and how it helps us understand 2–3 Eurovision entries in a whole new light. Are these songs genuinely good? So bad they’re good? Or just weirdly unforgettable? Longform episodes come out on the 12th of every month (the "douzeth"). We're where brilliant minds meet bad key changes.
Show more...
Arts
Music,
Places & Travel,
Society & Culture
RSS
All content for Eurovision Song Context is the property of Bradley Dalton-Oates and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
We start with expertise and end up in Eurovision. It’s kind of our thing. Eurovision Song Context is a monthly podcast that looks at the Eurovision Song Contest through an unexpected lens: expert insight. Each episode, a guest from a different field — psychology, fashion, politics, design, linguistics, and more — talk about their work and how it helps us understand 2–3 Eurovision entries in a whole new light. Are these songs genuinely good? So bad they’re good? Or just weirdly unforgettable? Longform episodes come out on the 12th of every month (the "douzeth"). We're where brilliant minds meet bad key changes.
Show more...
Arts
Music,
Places & Travel,
Society & Culture
https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/b/bb1b3a86-681b-4771-9aed-5e5fd06cb3ae/cover.jpg?v=1
Episode 60: (Part 2) Happy Chords, Sad Chords with Ethan Hein
Eurovision Song Context
50 minutes 10 seconds
9 months ago
Episode 60: (Part 2) Happy Chords, Sad Chords with Ethan Hein

Ethan Hein's Blog; Happy Chords:
https://www.ethanhein.com/wp/2017/the-happiest-chord-progression-ever/

Ethan Hein's Blog; Sad Chords:
https://www.ethanhein.com/wp/2023/the-saddest-chord-progression-ever-revisited/

From Poland: DER GASN NIGN / THE STREET SONG
https://www.youtube.com/watch?v=swve55Y6LgU

Club Recommendation, XCX:
https://www.youtube.com/watch?v=WJW-VvmRKsE&list=RDEMqB6GN03U2YuNBEN7d9EqVw&start_radio=1

Groove Pizza, the aQWERTYion and other amazing digital products YOU can use!
https://musedlab.org/


"Happy/Sad" ESC:

Euphoria – Loreen (Sweden, 2012)
https://www.youtube.com/watch?v=Pfo-8z86x80

Elina Nechayeva - La Forza - Estonia - Eurovision 2018
https://www.youtube.com/watch?v=76KOUIfDry8

"Fairytale" – Alexander Rybak (Norway, 2009)
https://www.youtube.com/watch?v=WXwgZL4zx9o

"Only Teardrops" by Emmelie de Forest (Denmark, 2013)
https://www.youtube.com/watch?v=k59E7T0H-Us

"Satellite" by Lena (Germany, 2010)
https://www.youtube.com/watch?v=7pL9vdpSvnY


De La Soul:
https://www.youtube.com/watch?v=iFnI1nwMOzY

The Reflex, Copacabana:
https://www.youtube.com/watch?v=U907umxfo5w


Settings for the aQWERTYion, Eurovision:

Euphoria - A major
Fairytale - D natural minor

Space Man - B major
https://www.youtube.com/watch?v=fU5cJfaX3DI

Discoteque - F natural minor
https://www.youtube.com/watch?v=JNweec5olYw

Eurovision Song Context
We start with expertise and end up in Eurovision. It’s kind of our thing. Eurovision Song Context is a monthly podcast that looks at the Eurovision Song Contest through an unexpected lens: expert insight. Each episode, a guest from a different field — psychology, fashion, politics, design, linguistics, and more — talk about their work and how it helps us understand 2–3 Eurovision entries in a whole new light. Are these songs genuinely good? So bad they’re good? Or just weirdly unforgettable? Longform episodes come out on the 12th of every month (the "douzeth"). We're where brilliant minds meet bad key changes.