This subject explores Ancient Roman epic poetry, the literary genre which deals with grand mythical narratives involving heroes, gods, war, and love affairs.
Epic was the most prestigious literary form in the ancient world. Roman poets adapted and developed Greek epic, particularly influenced by the Homeric Iliad and Odyssey. Roman epics similarly deal with divine and heroic material, but Roman poets also weave contemporary and topical themes into the mythical subject matter.
The primary text for this subject is Ovid's Metamorphoses, which tells many comic tales of the gods in love and encounters between heroes and monsters through a series of transformations.
Epics which influenced Ovid will also be studied, such as the Greek epics of Homer, the early Roman epics of Naevius and Ennius, and Virgil's Aeneid, which was the most significant influence on Ovid. We shall also consider Ovid as a major influence upon Western artists and writers, from Shakespeare to David Malouf.
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This subject explores Ancient Roman epic poetry, the literary genre which deals with grand mythical narratives involving heroes, gods, war, and love affairs.
Epic was the most prestigious literary form in the ancient world. Roman poets adapted and developed Greek epic, particularly influenced by the Homeric Iliad and Odyssey. Roman epics similarly deal with divine and heroic material, but Roman poets also weave contemporary and topical themes into the mythical subject matter.
The primary text for this subject is Ovid's Metamorphoses, which tells many comic tales of the gods in love and encounters between heroes and monsters through a series of transformations.
Epics which influenced Ovid will also be studied, such as the Greek epics of Homer, the early Roman epics of Naevius and Ennius, and Virgil's Aeneid, which was the most significant influence on Ovid. We shall also consider Ovid as a major influence upon Western artists and writers, from Shakespeare to David Malouf.
Ovid ends his work with a series of deifications: Julius Caesar becomes a god; Augustus will become a god. This most allusive and transformative of texts apparently ends with a pat celebration of the Julian family. However, this is not the end at all, for Ovid actually completes his work with his own immortality: he will live through his work and thus go beyond death and also beyond the holders of political power. It is a confident statement of the transcendence of poetry. Yet nothing is stable in Ovid's world, and the final book also contains a lengthy speech by the philosopher Pythagoras, whose beliefs include the perpetual rebirth of souls into new bodies. Is this an attempt to give a theoretical underpinning to the epic? Or does it once again snatch the rug from under the reader's feet?!
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Epics of Rome
This subject explores Ancient Roman epic poetry, the literary genre which deals with grand mythical narratives involving heroes, gods, war, and love affairs.
Epic was the most prestigious literary form in the ancient world. Roman poets adapted and developed Greek epic, particularly influenced by the Homeric Iliad and Odyssey. Roman epics similarly deal with divine and heroic material, but Roman poets also weave contemporary and topical themes into the mythical subject matter.
The primary text for this subject is Ovid's Metamorphoses, which tells many comic tales of the gods in love and encounters between heroes and monsters through a series of transformations.
Epics which influenced Ovid will also be studied, such as the Greek epics of Homer, the early Roman epics of Naevius and Ennius, and Virgil's Aeneid, which was the most significant influence on Ovid. We shall also consider Ovid as a major influence upon Western artists and writers, from Shakespeare to David Malouf.
