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DrSonique
DrSonique talks to the ABC
122 episodes
1 month ago
Wer mit Ungeheuern kämpft, mag zusehn, daß er nicht dabei zum Ungeheuer wird. Und wenn du lange in einen Abgrund blickst, blickt der Abgrund auch in dich hinein. He who fights the monster should be careful lest he thereby becomes a monster.
 And if thou gaze long into an abyss, the abyss will gaze into thee. Frederick Nietzsche, Beyond Good and Evil. The Sea and superstition go hand in hand. For centuries sailors unwittingly sensing the song of the Whale through their wooden-hulled ships thought them Ghosts of the deep, and despite the thousands of close encounters in the Whale hunt they remained ‘mute’ until the middle of the 20th Century. It was a team of US military sonar operators based in Bermuda, charged with identifying Russian submarines who initially identified and documented the singing of whales thus enabling the entire debate about their sentience.  The Song of the Humpback Whale (produced by the biologist Dr. Roger Payne) was released as an L.P. Record in 1970 (and subsequently re-released as a soundsheet in National Geographic’s January 1979 edition selling 10.5 million copies making it the most popular commercial recording of all time and instrumental in turning public awareness against the cruelty and avarice of the Whaling Industry.
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Arts
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Wer mit Ungeheuern kämpft, mag zusehn, daß er nicht dabei zum Ungeheuer wird. Und wenn du lange in einen Abgrund blickst, blickt der Abgrund auch in dich hinein. He who fights the monster should be careful lest he thereby becomes a monster.
 And if thou gaze long into an abyss, the abyss will gaze into thee. Frederick Nietzsche, Beyond Good and Evil. The Sea and superstition go hand in hand. For centuries sailors unwittingly sensing the song of the Whale through their wooden-hulled ships thought them Ghosts of the deep, and despite the thousands of close encounters in the Whale hunt they remained ‘mute’ until the middle of the 20th Century. It was a team of US military sonar operators based in Bermuda, charged with identifying Russian submarines who initially identified and documented the singing of whales thus enabling the entire debate about their sentience.  The Song of the Humpback Whale (produced by the biologist Dr. Roger Payne) was released as an L.P. Record in 1970 (and subsequently re-released as a soundsheet in National Geographic’s January 1979 edition selling 10.5 million copies making it the most popular commercial recording of all time and instrumental in turning public awareness against the cruelty and avarice of the Whaling Industry.
Show more...
Arts
Episodes (20/122)
DrSonique
The Sonic Whale
Wer mit Ungeheuern kämpft, mag zusehn, daß er nicht dabei zum Ungeheuer wird. Und wenn du lange in einen Abgrund blickst, blickt der Abgrund auch in dich hinein. He who fights the monster should be careful lest he thereby becomes a monster.
 And if thou gaze long into an abyss, the abyss will gaze into thee. Frederick Nietzsche, Beyond Good and Evil. The Sea and superstition go hand in hand. For centuries sailors unwittingly sensing the song of the Whale through their wooden-hulled ships thought them Ghosts of the deep, and despite the thousands of close encounters in the Whale hunt they remained ‘mute’ until the middle of the 20th Century. It was a team of US military sonar operators based in Bermuda, charged with identifying Russian submarines who initially identified and documented the singing of whales thus enabling the entire debate about their sentience.  The Song of the Humpback Whale (produced by the biologist Dr. Roger Payne) was released as an L.P. Record in 1970 (and subsequently re-released as a soundsheet in National Geographic’s January 1979 edition selling 10.5 million copies making it the most popular commercial recording of all time and instrumental in turning public awareness against the cruelty and avarice of the Whaling Industry.
Show more...
2 months ago
12 minutes 12 seconds

DrSonique
Biosphere/Datasphere/ ABC IV.WAV
An interview with artist Dr Nigel Helyer and scientist Professor Mary-Anne Lea about the exhibition BioSphere/Datasphere at the Mawson Gallery in the Institute for Marine and Antarctic Studies (UTAS) Hobart.
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1 year ago
23 minutes 36 seconds

DrSonique
800,000 Short Tailed Shearwaters pre-dawn take-off on Maatsuyker Island, Tasmania.
800,000 Short-Tailed Shearwaters are taking off in the pre-dawn by running downhill and launching themselves into the air over huge seacliffs. Recorded on an iPhone.
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1 year ago
4 minutes 11 seconds

DrSonique
Shy Albatross Prey DNA/ID
Part of the Biosphere/Datasphere exhibition, mix based upon sonified DNA from prey species.
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1 year ago
46 seconds

DrSonique
Short Tailed Shearwater Prey DNA_Menu Mix
Part of the Biosphere/Datasphere exhibition, mix based upon sonified DNA from prey species.
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1 year ago
33 seconds

DrSonique
Long Nosed Fur Seal Prey DNA_Menu Mix
Part of the Biosphere/Datasphere exhibition, mix based upon sonified DNA from prey species.
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1 year ago
32 seconds

DrSonique
Australian Fur Seal Prey DNA_Menu Mix
Part of the Biosphere/Datasphere exhibition, mix based upon sonified DNA from prey species.
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1 year ago
30 seconds

DrSonique
Shy Albatross DNA ID
Part of the Biosphere/Datasphere exhibition
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1 year ago
23 seconds

DrSonique
Short Tailed Shearwater DNA ID
Part of the Biosphere/Datasphere exhibition
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1 year ago
27 seconds

DrSonique
Australian Fur Seal DNA ID
Australian Fur Seal DNA to music ID
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1 year ago
31 seconds

DrSonique
Long Nosed Fur Seal DNA ID
Part of the Biosphere/Datasphere exhibition
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1 year ago
54 seconds

DrSonique
Sonus Maris Concert
We are neurologically predisposed to seek patterns in our surroundings pattern recognition is our core cognitive ability, vital to our evolution and survival as a species—as it affords the capacity of prediction. In life, as in art, we take delight in the symmetries, growth patterns and morphologies of the natural world as through them we recognise our formation. However, there is a constant flux between the regularity or predictability of a pattern and a counter-current of instability or turbulence that might threaten to render it indecipherable. This is embraced in creative practice as we always require a twist to a narrative; a dissonant metaphor in a joke; or an unpredictable note to conclude a melodic series. This is the sweet spot, the point at which our expectations of regularity in a pattern are disrupted, but not too much, just enough to throw the brain into mild confusion. It is the fissure, the reveal, and the punchline that reflects on the narrative arc and plays with our assumptions. To walk this tightrope between order and chaos is one of the central techniques of art. By contrast, the task of Science is to distil clarity from chaos; to disambiguate the signal from the noise.
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1 year ago
28 minutes 26 seconds

DrSonique
Cafe gabriela (rua do comercio).mp3
Cafe Gabriella Sao Luis
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2 years ago
49 seconds

DrSonique
Cafe gabriela (rua do comercio)
Cafe gabriela (rua do comercio) by DrSonique talks to the ABC
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2 years ago
49 seconds

DrSonique
Rua de Odemira 6
Cultivamos Cultura, Sonic Workshop
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2 years ago
35 seconds

DrSonique
Rua de Odemira 20
Cultivamos Cultura, Sonic Workshop
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2 years ago
9 seconds

DrSonique
Sonic Workshop
Traditional singing in the Sao Luis Community Hall
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2 years ago
2 minutes 28 seconds

DrSonique
Sonic Workshop
Traditional singing in the Sao Luis Community Hall
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2 years ago
2 minutes 30 seconds

DrSonique
Sonic Workshop
Traditional singing in the Sao Luis Community Hall
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2 years ago
2 minutes 58 seconds

DrSonique
Sonic Workshop
Traditional singing in the Sao Luis Community Hall
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2 years ago
2 minutes 45 seconds

DrSonique
Wer mit Ungeheuern kämpft, mag zusehn, daß er nicht dabei zum Ungeheuer wird. Und wenn du lange in einen Abgrund blickst, blickt der Abgrund auch in dich hinein. He who fights the monster should be careful lest he thereby becomes a monster.
 And if thou gaze long into an abyss, the abyss will gaze into thee. Frederick Nietzsche, Beyond Good and Evil. The Sea and superstition go hand in hand. For centuries sailors unwittingly sensing the song of the Whale through their wooden-hulled ships thought them Ghosts of the deep, and despite the thousands of close encounters in the Whale hunt they remained ‘mute’ until the middle of the 20th Century. It was a team of US military sonar operators based in Bermuda, charged with identifying Russian submarines who initially identified and documented the singing of whales thus enabling the entire debate about their sentience.  The Song of the Humpback Whale (produced by the biologist Dr. Roger Payne) was released as an L.P. Record in 1970 (and subsequently re-released as a soundsheet in National Geographic’s January 1979 edition selling 10.5 million copies making it the most popular commercial recording of all time and instrumental in turning public awareness against the cruelty and avarice of the Whaling Industry.