Shin 將原本帶有闇黑風格的曲風轉化，重新混音 Jolin 蔡依林的〈Pleasure〉，賦予歌曲一種帶有邪惡又小巧慾望的氛圍，同時展現另一種可愛且主動給予慾望的感覺。
Shin transformed the original dark-toned style by remixing Jolin Tsai's "Pleasure," giving the song an atmosphere that blends a hint of evil with subtle desires, while also expressing a different kind of cuteness—one that actively embodies the role of a giver of desire.
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Shin 將原本帶有闇黑風格的曲風轉化，重新混音 Jolin 蔡依林的〈Pleasure〉，賦予歌曲一種帶有邪惡又小巧慾望的氛圍，同時展現另一種可愛且主動給予慾望的感覺。
Shin transformed the original dark-toned style by remixing Jolin Tsai's "Pleasure," giving the song an atmosphere that blends a hint of evil with subtle desires, while also expressing a different kind of cuteness—one that actively embodies the role of a giver of desire.
她是第36屆金曲獎最佳華語女歌手獎：娃娃魏如萱。從「自然卷」開始就讓我深深喜愛的她，當年也訪問過她好幾次，看到她得到第二次的金曲獎最佳華語女歌手獎讓人頗感動。
第一次聽到魏如萱的〈惡口〉時，那種瞬間的共鳴感讓我印象深刻。
這首歌的詞及編曲堆疊層次豐富，每個拍與歌聲都詭異的恰到好處。
那一刻我就知道，這首有中！值得重新詮釋的作品。希望你喜歡。
She is the 36th Golden Melody Award Best Female Mandarin Singer: Waa Wei. I've deeply admired her since her Natural Q days, and interviewed her multiple times back then. Seeing her win her second Golden Melody Award for Best Female Mandarin Singer is genuinely moving.
When I first heard Waa Wei's "Rose Is Not A Rose Is Not A Rose Is Not A Rose," that instant resonance left a lasting impression. The song's lyrics and arrangement create rich, layered textures, every beat and vocal line falls into place with uncanny precision.
In that moment, I knew this was a hit, a work worthy of reinterpretation.
Hope you enjoy it.
DJ Shin's Podcast
Shin 將原本帶有闇黑風格的曲風轉化，重新混音 Jolin 蔡依林的〈Pleasure〉，賦予歌曲一種帶有邪惡又小巧慾望的氛圍，同時展現另一種可愛且主動給予慾望的感覺。
Shin transformed the original dark-toned style by remixing Jolin Tsai's "Pleasure," giving the song an atmosphere that blends a hint of evil with subtle desires, while also expressing a different kind of cuteness—one that actively embodies the role of a giver of desire.
