This literally could've been called the 'Neverending Podcast Episode,' because I've been working on the track list for months. Every time I thought I had it, a couple new tracks would get released and I knew I had to add them. It's scary too, because just as I finished recording and started on post-production work, there were at least two more tracks released that would've fit perfectly into the mix! I figured I'd hold off on them though; I mean, if I kept delaying, I'd never release it! As as result, Volume 3 of "Everything Old Is New Again" ballooned out to over 135 minutes long; it was like doing two Episodes of the 'cast in one. Anyway, I hope you'll enjoy this trip down memory lane. There's a lot here from the 70's to the 90's and you'll probably notice the same artists showing up again and again in the track listing. This small group of House artists have been killing it lately with the covers, and I've been enjoying every one. So, set the wayback machine for fun, have an energy drink, get your dancing shoes on, and enjoy "Everything Old Is New Again, Volume 3!"

In the beginning there was Chicago, and Chicago had a groove. And from that groove, came the groove of all grooves, and house music was born! Then came Garage House, Acid House, and Gospel House; Deep House and Disco House; Electro House and Euro House; Hard House and Diva House; Big Room House and Melodic House; Soulful House, Tribal House and Techno House. But, oh my lord, ther's Funky House, with a groove so infectious it cannot be ignore. That's why, for Episode 52, I'm so glad "(dog made me) Funky!"

Episode 51 turns the clock back, way back in fact, with a set that's been more than 50 years in the making. Featuring songs from rock legends like Led Zeppelin, The Doors, Cream, Jefferson Airplane, The Beatles and more, this set of classic rock songs should bring back some memories, or maybe help you create some new ones. If you've been to any of the events I've played in the last few years, you've likely heard some of these tracks before. This however, is the first time I've put them all together in one set, and I've got to admit it's turned into one of my favorites. More than anything, I hope this episode proves that good music never goes out of style and proves appropriate to any age. So grab your Wayback Machine, it's time to "Rock the Remix!"

We've hit a milestone for the podcast and arrived at Episode 50! This set in particular, a return to mainstream and house, has been very deliberatly put together. From it's name, to the list of tracks, it's meant to be a celebration of us, all we've been trhough, and everything to come. We were all aflutter when President Obama lit the White House with the rainbow in honor of GLBT rights and nationwide Pride celebrations; and while we may be under attack right now from a more hostile President and Administration, we nevertheless need to remember how far we've come over the years, but how strong we are when we stand up as family, and remind them we will not go backward. With that in mind, this set is full of songs about love and sex, being catty and bitchy, happiness and sorrow, and most of all, the fun we all know when we get out on the dance floor and just leave everything else behind for a while to enjoy the music, the beat, and each other's company! So, c'mon with me on this celebration. Turn up the volume and revel in the "Triumph!" This set is dedicated to everyone who has ever stood up for our rights and made a difference, big or small. Thank you!

Dark, deep, groovy, like molasses for your ears, this is a slice of-tech house through my filter; it's my "tech-neeq." Another episode that has been a long time in the making; this time, it was a combination of technical and system issues, as well as my depression getting the better of me. But here it is, out at last. Like "Impact," you'll probably either love this or hate it, and as I've said before, that's okay; tech-house is not for everyone, or every mood. I absolutely love the deep, dark vibe; the heavy bass; the warped, distorted vocals; and yes, even the sense of humor and playfulness. So, as Madonna once said, "get into the groove." Go ahead, strip down to your underwear, turn the lights down low and the volume up high, boost the bass, and grab a partner (or not, if that's your thang). It's time to adopt a new "tech-neeq." This set is dedicated to Matt Christopherson (DJ Hazmat) for hookin' me up with the hardware I needed to record once again. Thanks Matt!

They say when you hit rock bottom -- after the impact -- there is only one way to go: up. Join the "Ascension." This episode has been over two years in the making; not because the music wasn't there, but rather because of the loss of my mother. I kept wanting to record; there had always been a plan for a follow-up to the cycle that was "Escape," "Freefall," and "Impact," but I couldn't bring myself to do it. Then, just as I was ready to get back behind the decks to record, my father passed away -- almost exactly to the day and time my mother had, but one year later. It was just too much, really; and so, the podcast -- like me -- languished. Finally, about a month ago, I picked it back up. "Ascension" (the title had always been that), the fourth in the four-episode set, had gone through many changes; a lot of the songs I originally had chosen no longer really fit the mood I wanted, but thankfully there was plenty of new stuff to fill it with. On May 5, 2015, I returned to my studio space, and recorded once again; now, it's ready to share. I want to dedicate "Ascension" to my mom and dad, who were always there for me when I needed them, who were proud of my DJing even if they didn't understand it. I love you mom and dad, and miss you every day. I hope you will find this trip into the Heavens both uplifting and enjoyable.

The third in a four-episode set, "Impact" follows "Freefall" in a progression of the overall arc theme. This is an electro/progressive set. You'll either like it or hate it, and that's probably a good thing. This set was pulled together with a minimum of vocal tracks; I was honestly trying not to use any songs with vocals, but that's not always possible. I will say I had a difficult time pulling this one together, which is why it's been so long since I've released a podcast. This set is indicative of mood and feeling. Sometimes, it can be really hard to convey this particular place appropriately. I feel like I've sent a clear message, and I hope you are able to catch that. As for the music itself, chances are, unless you're a fan of the genre, there will be few tracks you'll recognize; I have played some of these out at my live sets recently, but not to this extent. Nonetheless, you should recognize some of the artists in here (Fedde LeGrand, Wolfgang Gartner, Adam K, and Deadmau5) from my other podcasts. As you listen to "Impact," please try to feel the music more than just hear it, or dance around your room to it (which, undoubtedly, you will). Bear in mind this is the third volume in the series, and it follows on the heels of "Escape" and "Freefall," both thematically and musically. As for volume four? The only hint I'll provide is: What comes after an impact? Remember, after the fall, there's no avoiding the "Impact."

The second in a four-episode set, "Freefall" follows "Escape" in style but not necessarily in theme. This is another mainstream house set you all seem to love so much; and while the music may be upbeat and happy, if you pay attention to the lyrics, you might notice what they have in common. There are some definite big hits rolling around in here: Adele's "Rolling In the Deep," Gaga's "Judas," Alex Gaudino's "What a Feeling" (which is sure to be a summer anthem), as well as new songs from Kylie Minogue and Robyn -- both of whom have rocketed into the consciousness of clubbers in the last year, despite their long careers as singers. I'm also really happy to toss in a few songs with male vocals; there's not enough male vocal in the club scene these days -- then again, it's always been about the divas -- so when good songs pop up with a male vocalist at the helm, I take notice. Pay special attention to "Without You," "Not Getting Any Better," and "Beautiful World," to hear what I'm talking about. Finally, this set ends on a bit of a darker note, musically speaking. It's a foreshadow of what's to come next, but I don't want to ruin the surprise by telling you too much. I will give you a hint though: What comes after the freefall? Fire up the MP3 player, put on your dancing shoes, and remember to close your eyes, becuase, after all, "if you close your eyes, it's a beautiful world." When your world is spinning, and everything seems out of control, it can feel like you're locked in a "Freefall."

We are, each of us, besieged. Overwhelmed by this and that, problems and circumstances great and small, some of which we can control, and others still both out of our control and uncontrollable. The world hands us lemons, and we make lemonade for a while, until there is no sugar left. The walls close in. The doors close and lock; the windows shutter tightly. The lights dim, and finally go out. And all that is left is hope; even if it may be borrowed. Hope for something better. Hope for tomorrow. Hope for clarity to see through the siege. And then a patch of blue sky breaks through. The climb may be exhausting, the goal out of reach no matter how many rungs we ascend. Nothing truly changes, for we are we, and the we remains; but just then there is fresh air, light, and the possibility of hope's promise, no matter how brief. So, take respite, even for a short while. Go ahead: Escape.

Old songs, particularly the good ones, have a way of hanging around. Catchy "hooks" become the basis for a whole new song, as you'll hear in several of these tracks. Then again, the original versions of other were so popular, or so tapped into the zeitgeist, they've become ingrained in every generation to come after them. And then there are the classics, the songs we've been singing for decades, so they remain a part of the current consciousness, but unless given a "freshening," would be unpalatable on a club floor. It's the cycle of things; songs come, songs go, and some songs come back for a second, third, fourth, and more, round. In this go round, you'll find songs from George Michael; LIPPS, Inc.; Chic; Mike Oldfield (a name you may never have expected to hear in conjunction with a dance set); Faithless, Darude, Georgio Moroder, Stars on 45 (Yes! Stars on 45, can you believe it?); the Michael Zager Band; Everything But the Girl; Diana Ross; Aretha Franklin, and even Elvis. As I picked these tracks, I kept smiling and flashing back to the first time I'd heard them (yeah, I'm that old). It's been a fun walk down memory lane for me, and an even more fun notion thinking of how I'll drop each of these into a live set. Why? Well, not only because I can, but really, because they're that good and that fun! So, here you go, a collection of new remixes of some great songs dating back over the past 30 years, proving once again, that Everything Old is New Again!

Mainstream sets are the most popular with all of you; I'm pretty sure this one will quickly become a favorite once you hear it. Upbeat, happy and bright, it's full of current chart toppers from the Freemasons, Katy Perry, Cher, Rihanna, Kylie and Britney Spears. Sets like this one seem to come together without any effort. The music seems to fit together easily, almost as if the songs were written to go together. Nowhere is that more evident than in the transitions between "Irresistible" and "Believer," and "Believer" and "Firework." I tossed in a couple of songs that are currently rockin' my world as well; Friscia & Lamboy's "Rock the Bells" and BT's "The Emergency." While the lyrics may not always be the happiest, the music certainly will make you a smile. I was so pleased with this set, it's going to be the one I'll send out with my Press Kits for the next few months. I'm sure once you've listened to it, you'll understand why I named it "Shine."

This set is a collection of my favorite tracks from 2010. A few of these actually hit #1 on the Billboard Dance chart, and some never even made it onto the chart at all. Many of these may be familiar as I've used them in previous podcasts, while a few are making their debut in this episode of "Press Play." What binds all these songs together, aside from them being my personal favorites from the last year, is the epic quality they all posses. But what makes a track "epic?" In some cases, it's the artist and the remixer teaming up. In other cases, it's the lyrics, or the emotion conveyed in both music and words. The key to "epic" for me is the way a song hits me. I can't tell you exactly what "epic" is, but I (and you) know it when I hear it. A word about my #1 and #2 picks for 2010; they're probably something you'll find unexpected: #1: Morel - Shoegazer Disco (Linus Loves Remix) -------------------------------------------------------------------- Rich Morel is practically an institution in the music industry, and "Shoegazer Disco" leaves no doubt as to why. There's almost a mythical quality to this track (thanks in part to Linus Loves' brilliant treatment in the remix). But what pushes this one into "epic," and into my #1 slot, are the lyrics: "There's a moment when everything changes, the split-second from which point, everything that follows is forever different, from what came just an instant before. Sometimes it's a phone call, sometimes it's a hand-shake, sometimes it's a look in your best friend's eyes. You never expect it. You never forget the moment, when for the first time you realize, that you can't go back ever again. I'll remember you, And I hope you'll remember me too. Again." Rich, thanks for this one; you've touched my soul. #2: Matt Alber - End of the World (Morgan Page Pop Mix Extended) ------------------------------------------------------------------------------------------- The first time I heard "End of the World," I was visiting friends in L.A. My buddy plopped me down in front of the TV and told me I had to see the video for this song because the L.A. artist was gay and it featured two men dancing together. By the end of the song, I was crying. Alber had sung a ballad so beautiful, so romantic, so poignant and so powerful, that I was unable to talk for a few minutes. I immediately logged into Amazon.com and ordered a copy of his album based on this one song alone. I also wondered if "End of the World" would find its way to the dance floor, and if anyone would be able to do it justice in a remix. Well, when I saw Morgan Page's name attached to it, my fears vanished. I love this song, and this mix; I'd have to place it at #2 for the year in fact, and every time I play it in a set, someone undoubtedly either comes up to ask what it is, or to thank me for included it in the set. There is no other word to describe this song than "epic," and I'm very proud to be wrapping up this set on such a beautiful note. I realize my picks may not be your picks for the year, but hopefully, you'll have found a few of your favorites in here somewhere.

It's been a while since the last one; well over 28 months. Between now and then, things have been the way they always are: hectic, rushed, and at times stressful. I know in the last 28 months, I've reached for "Pause" many times; and truth be told, I constructed Episode 18 more for my own benefit than anything else. However, the reaction I got from that set has been the strongest of the all -- many of you contacted me to say how much you enjoyed it, that I started working on this set right away. Once again, I tuned to my computer-based multi-track mixing software; and once again, many hours later, another downtempo set emerges. Is this one for me? Yes. But it's also for all of you, especially those who asked for more, and I hope you'll enjoy it as much as you did the last one. So now, it's time to stop, to take a break and recover, if only for a few minutes. Relax. Breathe. Chill. Pause Again.

The music is strong, hard, edgy. It pulls you, moves you, drives you to get up and dance. It's progressive, electro, even playful. But it always comes as a Surge! I haven't given you a progressive set for a while, so I thought it was time. You may recognize one of these songs, or if you've been out to hear me live lately, maybe three or four; you all know how I love to throw a little of the dark progressive goodness into every live set. It's the bass; it practically compells you to dance, and it feels sooooooo gooooood as it rumbles through your chest right down to your feet. Oh, don't look like you don't KNOW what I'm talking about, 'cause I've seen you out there dancing to it! So here's a slice for you. There are some monstrous tracks in here. Some are minimal. Some have a less-aggressive groove to them, but if this set doesn't get you dancing, well, you might as well go lay down in the dirt 'cause you're already dead! You may have also noticed another new thing with Episode 40 -- that's right, a new podcast logo! I think it's a lot better than the old one, and hopefully you will too. Well, enough chatter. Press Play, and dance to the Surge!

It was a long, hot summer, filled with lots of songs with great staying power; so good in fact, they still sound great months later. It doesn't happen often; a full range of songs first finding their way onto the dance scene in Apil, May and June, still charting, getting airplay, club play and requests come fall, but this group surely did. So in the spirit of those days at the beach, by the pool, bar-b-que-ing on the back patio, or just crusing down the highway with the top down and the speakers turned up, I present this collection of chart-toppers (many of which made #1 on the Billboard Dance Chart) for you to use as the blustery weather moves in and the temperatures drop. With any luck, they'll put a spring back in your step, and the sunshine back into your heart. After all, it's an Endless Summer!

This episode of the podcast was created for the readers of the "Joe.My.God." blog. My introduction to Joe Jervis, and his incredible blog came after REAL BAD XVIII in 2006 (see Episode 6 for an excerpt of that night's party). When I got back home to Salt Lake City, my very excellent friend Richard Dupler (who has a great podcast called "Danceteria," BTW) sent me an email with a link to Joe's blog. Right there, was a review of my set. Joe said it "took us on a soaring, triumphant journey of beautiful melodic techno/trance, holding us in the palm of his turntable until the very last note at 4am." Needless to say, I was flattered beyond measure. I didn't remember meeting Joe that night, and didn't know if I ever would, but I resolved to send him a copy of the full set once I got the discs burned. I got his address from an other friend in San Francisco, and eventually dropped the CDs in the mail, and figured that would be the end of it. Fast forward to 2010. Promotoer Joe Fiore contacts me asking if I'd like to play in NYC for Furball. Of course I said "yes!" It was a great night, and a great party, and the Bears in New York are among the sexiest, friendliest group of guys I've had the pleasure to play for. As the night ended, a very handome gentleman walked over to me and we were introduced. Yep, it was none other than Joe Jervis! Well, I promptly began to thank him -- profusely -- for the wonderful review, teling him how much it meant to me, and asked if he'd mind taking a photo with me. Thankfully he didn't. As I left New York, I figured that would be the lasd I'd hear from Joe, bt it wasn't. Shortly after the event, Joe sent me a message on Facebook, asking if I'd put a se together for his listeners. How could I refuse? So, what you have here is that set. Joe's readers have already had the opportunity to hear this set, but I wanted to share it with my podcast subscribers as well. Thanks, Joe, for extending the invitation! Go visit "Joe.My.God." at www.joemygod.com Enjoy!

It's progressive! No, it's pop! No, it's mainstream! No, it's progressive! Oh hell, it's a little bit of everything. When you can't make up your mind, you might as well just be Schizosonic!

The power of a remix: It can take a ho-hum song, and make it outstanding! Just as every generation has their artists, so do they have their remixers. In the 80's, it was Junior Vasquez and Shep Pettibone. In the 90's, it was Rauhofer and Calderone. Now, there are too many to list; but one stands out from the crowd with a distinct sound, Dave Audé. This podcast episode is a compilation of remixes by Dave Audé, with songs by some of today's most popular artists. While some of these may not be as familiar to you as others, what you'll notice is each one carries Audé's distinctive sound, making this episode, well, "Audé-licious!"

You start tapping your toe. Then you nod your head. Then there's the gentle sway, the shimmy of shoulders, the wiggle of the hips. The beat is so infectious, so captivating, so compelling you can't stop yourself! Don't worry, it's okay, go ahead, Bounce! I won't tell anyone, I promise. "Bounce" has been hanging out on my hard drive for about a month now. I recorded this on at the end of January after getting a few tracks I was really excited about. It's been waiting for a name though. Let me tell you, sometimes the hardest part of putting a podcast together is not finding the tracks (heck, I've already got enough music right now for two more sets); rather, it's about finding a name, or picking a picture to use for the "cover" art. I mean really, listen to this set and tell me what you would call it! I listened to this set well over two-dozen times, and could't figure out what to call it until just a few days ago. Then it was a matter of searching for a "cover," and finding artwork for all of the tracks; those title cards don't come easy, you know. :) At any rate, here's "Bounce," named such becuase the tracks here all have a kind-of bouncy quality to them. I hope you'll agree. By now, some of these tracks will be familiar territory. But there are two, in particular, I'd like to highlight for you: First off, is Chicane ft. Natasha Bedingfield's "Bruised Waters." The original version of this track is taken from Chicane's "Saltwater," which contained a sample of "Harry's Game" by Clannad; you might've heard this tune in the movie "Patriot Games." Well, Chicane brilliantly turned that little sample into a full track, and now has gotten Natasha Bedingfield to add her beautiful voice to it. But wait! There's more! Add the brilliant Michael Woods (aka Out-of-Office) to the mix -- literally -- and the tune really gets some punch and bounce taking on a progressive feel. It wasn't enough for me though. This track sounded so much like Michael's 2008 remix of "Cafe Del Mar" by Energy 52, I had to mash the two up. What you get in this podcast, is my own "Cafe Del Bruised Waters," which I hope you'll enjoy. The oher noteworthy track here is from gay artist, Matt Alber. "End Of the World" is a stunning song about the end of a relationship, and the desire to give it one more try before abandoning it altogether. In it's original version, the song is a poignant ode to love, and the power of love to make even the most tumultuous relationship worthwhile. The label decided to take a chance on getting this one remixed, and they handed it off to Morgan Page, who obviously heard the beauty in it, and rather than overpowering it with heavy synths and a driving percussive line, decided to enhance it's gentility with lush synths and a gorgeous guitar line. If you've never heard this song, find it and give it a listen. If you've heard it, but never seen the video, find it on YouTube. The first time I saw the video, it made me cry. And don't forget to buy Matt's album; you'll get a great deal on it from Amazon.com. The rest of "Bounce" is filled with Lady Gaga and Beyoncé, the DT8 Project, Timbaland, Whitney Houston, some old tracks from the 80's re-imagined by Foundation and Dave Darell, and a few other familiar names. It's a great ride. So go ahead, let your head bob, your toes tap, and your body move; Bounce, baby, Bounce!

It's late, you're restless, not ready for sleep but you don't want to be around a lot of people either. So you grab the keys to the car, pop in a CD, and head out. The music has to be just right though. It starts off just like the drive, easy, smooth and silky. But like any road trip, this drive has a few surprises in store; some moments of excitement, an unexpected twist, a little excitement, and then the return home to familiar streets with turns and stretches you can drive without even thinking about. And before you know it, you're home again, relaxed and ready to turn in, your late night adventure behind you. This episode is very much like that drive. I pulled all the music together knowing it reflected some of the best new tracks I could find, but with no discernible theme -- until I gave it the first post-production listen. Then it just reminded me of a late-night drive, when you're not really in the mood to go anywhere in particular, but rather just out and back home again for the sake of the drive. So go on, take it for a spin; your "Excursion" awaits!