🎉 REWIND SESSIONS: The Ultimate Throwback Party! 🎉 Get ready to travel back in time every Thursday at 7 PM C.A.T! Join me live on Mixcloud as we spin the best of the '80s, '90s, and early 2000s—think iconic rock, pop, hip-hop, and R&B hits that you know (and maybe forgot you knew!). 🌟 From timeless classics to those unforgettable one-hit wonders, this is where we embrace the WTF moments and celebrate everything that made you dance, sing, and reminisce! Expect exclusive mashups, rare music videos, and a whole lot of nostalgia. 🎤🎸 This stream is your weekly time machine to those golden tracks that defined your youth and made you feel like you were living the dream. Whether you’re singing along to a guilty pleasure, rediscovering a hidden gem, or hearing something new, the vibe is all about fun and good times as we ease into the weekend! The video REPLAY versions via https://kick.com/azuhl 📺. Check out what's to offer as an exclusive member - ko-fi.com/azuhl #replay #onair #club bangers #hip hop #funk #reggea #mashups #livemix #djmix #rap #dancehall

🎧 Saturday Spin with DJ Ready D — Only on KFM 94.5 Buckle up — you’re about to experience the freshest in Hip Hop, club bangers, street remixes, and global party trends, all with that unmistakable Kaapstad flavour. Hosted by Grandmaster Ready D, the Saturday Spin brings you feel-good hits, exclusive live mixes, and the infectious energy that unites Cape Town every weekend. Featuring guest DJs like DJ Azuhl on rotation, expect top-tier turntablism, local flavour, and sounds that keep the city moving. From the streets to the airwaves — Saturday Spin is where Cape Town connects, celebrates, and turns up. 📅 Every Saturday 📻 Only on KFM 94.5 — The Soundtrack to Your Weekend.

🎉 REWIND SESSIONS: The Ultimate Throwback Party! 🎉 Get ready to travel back in time every Thursday at 7 PM C.A.T! Join me live on Mixcloud as we spin the best of the '80s, '90s, and early 2000s—think iconic rock, pop, hip-hop, and R&B hits that you know (and maybe forgot you knew!). 🌟 From timeless classics to those unforgettable one-hit wonders, this is where we embrace the WTF moments and celebrate everything that made you dance, sing, and reminisce! Expect exclusive mashups, rare music videos, and a whole lot of nostalgia. 🎤🎸 This stream is your weekly time machine to those golden tracks that defined your youth and made you feel like you were living the dream. Whether you’re singing along to a guilty pleasure, rediscovering a hidden gem, or hearing something new, the vibe is all about fun and good times as we ease into the weekend! Watch REPLAYS of all livestreams here - https://kick.com/azuhl #replay #onair #club bangers #hip hop #funk #reggea #mashups #livemix #djmix #rap #dancehall

Every Sunday at 5 PM C.A.T, join me LIVE on Mixcloud for your weekly dose of good vibes, handpicked funk, soul-soothing jazz, rare grooves, and the freshest Hip Hop. 🎶 Whether you're winding down, prepping for the week, or just need that perfect soundtrack for your Sunday vibes, this stream is your go-to! Tune in to chill, vibe, and ease into the new week with the ultimate mix of classics and hidden gems. 🎧 The video versions now available to watch via https://kick.com/azuhl #replay #onair #club bangers #hip hop #funk #reggea #mashups #livemix #djmix #rap #dancehall

🎧 New Mix Series Alert: Listeners Digest For all the music lovers and sonic adventurers — Listeners Digest is here! This series dives into exclusive flips and bootleg edits of both well-known and hidden gem classics, spanning world music, funk, soul, and hip hop. If you’ve got a taste for the unexpected and love discovering fresh takes on timeless sounds, this one’s for you. If you vibed with my mix slot on The Good Vibes with DJ Ready D, you’re going to love this series. Let’s dig in! Music by Ronny Jordan, Bob James, Jay Z, Teedra Moses, De La Soul & more

Every Sunday at 5 PM C.A.T, join me LIVE on Mixcloud for your weekly dose of good vibes, handpicked funk, soul-soothing jazz, rare grooves, and the freshest Hip Hop. 🎶 Whether you're winding down, prepping for the week, or just need that perfect soundtrack for your Sunday vibes, this stream is your go-to! Tune in to chill, vibe, and ease into the new week with the ultimate mix of classics and hidden gems. 🎧 #replay #onair #club bangers #hip hop #funk #reggea #mashups #livemix #djmix #rap #dancehall

Originally cut live in the mid-2000s using nothing but vinyl, Anti FM Device 1.3 is a raw, unfiltered salute to underground hip hop’s golden spirit. Now fully remastered for 2025, this mix is built for the heads who fiend for gritty boom-bap, razor-sharp lyricism, and that anti-mainstream attitude that shaped a generation. Curated with heat via indie imprint Kurse Music Distribution, the mix packs heavyweight cuts from KRS-One, Mos Def, LMNO, Akrobatik, and more—every track hand-picked for its authenticity and underground fire. This one’s strictly for the true-school believers—the diggers, the vinyl junkies, the anti-FM faithful. No fillers. No fluff. Just raw bars, dusty drums, and the unpolished crackle & skips of vinyl.

SA Hip Hop Mix #185 holds a special place in my journey as a DJ. This mix is part of my long-running SA Hip Hop Mix series, originally featured on The Ready D Show on Good Hope FM—a show I was proud to be part of for 10 years, where I had a dedicated slot to showcase the depth of South African rap. The mission behind this series has always been simple: celebrate the incredible diversity of our hip hop scene—the sounds, styles, and languages that make SA rap so unique. Mix #185 brings that vision to life, featuring Camo, Kid X, Emile YX, Zubz, Patty Monroe and more, while embracing the full spectrum of our 11 official languages. This isn’t just a DJ mix—it’s a tribute to the culture, the voices, and the ever-evolving sound of South African hip hop. You can also download this mix via my website.

Every Sunday at 5 PM C.A.T, join me LIVE on Mixcloud for your weekly dose of good vibes, handpicked funk, soul-soothing jazz, rare grooves, and the freshest Hip Hop. 🎶 Whether you're winding down, prepping for the week, or just need that perfect soundtrack for your Sunday vibes, this stream is your go-to! Tune in to chill, vibe, and ease into the new week with the ultimate mix of classics and hidden gems. 🎧 #replay #onair #club bangers #hip hop #funk #reggea #mashups #livemix #djmix #rap #dancehall

Every Sunday at 5 PM C.A.T, join me LIVE on Mixcloud for your weekly dose of good vibes, handpicked funk, soul-soothing jazz, rare grooves, and the freshest Hip Hop. 🎶 Whether you're winding down, prepping for the week, or just need that perfect soundtrack for your Sunday vibes, this stream is your go-to! Tune in to chill, vibe, and ease into the new week with the ultimate mix of classics and hidden gems. 🎧💥

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it’s a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn’t just entertainment—it was an awakening. POC didn’t just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube’s film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC’s influence has been so profound that they’ve been studied in academic works, including: 📖 Stealing Empire: P2P, Intellectual Property and Hip-Hop Subversion by Adam Haupt 📖 Neva Again: Hip-Hop Art, Activism and Education in Post-Apartheid South Africa (edited by Adam Haupt, Quentin Williams, H Samy Alim & Emile YX?) 📖 Hip-Hop in Africa: Prophets of the City and Dustyfoot Philosophers by Msia Kibona Clark With Prophetic Remixes Vol 1, I wanted to honor their entire discography—the albums that shaped me and so many others: 📀 Our World (1990) 📀 Boom Style (1991) 📀 Age of Truth (1993) – Available on all streaming platforms 📀 Phunk Phlow (1994) 📀 Universal Souljaz (1995) – Available on all streaming platforms 📀 Ghetto Code (1997) – Available on all streaming platforms The Process: A Labor of Love Creating this project wasn’t easy. Many of these songs were never officially released in high-quality digital formats, so obtaining clean vocals was a major challenge. I had to work with old vinyl rips, often filled with hisses, pops, and heavy artifacts. Extracting acapellas became an intricate process—trial and error, frustration, and endless tweaking. To bring Prophetic Remixes Vol 1 to life, I used: 🔹 Serato Studio – for creative remixing and drum sequencing. 🔹 Lalal.AI – to extract vocals from noisy vinyl rips. 🔹 Studio One – for mixing, mastering, and refining each track. Download the entire project for FREE with extra visualisers & documentary via Bandcamp - https://azuhl.bandcamp.com/album/prophetic-remixes-vol-1

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it’s a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn’t just entertainment—it was an awakening. POC didn’t just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube’s film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC’s influence has been so profound that they’ve been studied in academic works, including: 📖 Stealing Empire: P2P, Intellectual Property and Hip-Hop Subversion by Adam Haupt 📖 Neva Again: Hip-Hop Art, Activism and Education in Post-Apartheid South Africa (edited by Adam Haupt, Quentin Williams, H Samy Alim & Emile YX?) 📖 Hip-Hop in Africa: Prophets of the City and Dustyfoot Philosophers by Msia Kibona Clark With Prophetic Remixes Vol 1, I wanted to honor their entire discography—the albums that shaped me and so many others: 📀 Our World (1990) 📀 Boom Style (1991) 📀 Age of Truth (1993) – Available on all streaming platforms 📀 Phunk Phlow (1994) 📀 Universal Souljaz (1995) – Available on all streaming platforms 📀 Ghetto Code (1997) – Available on all streaming platforms The Process: A Labor of Love Creating this project wasn’t easy. Many of these songs were never officially released in high-quality digital formats, so obtaining clean vocals was a major challenge. I had to work with old vinyl rips, often filled with hisses, pops, and heavy artifacts. Extracting acapellas became an intricate process—trial and error, frustration, and endless tweaking. To bring Prophetic Remixes Vol 1 to life, I used: 🔹 Serato Studio – for creative remixing and drum sequencing. 🔹 Lalal.AI – to extract vocals from noisy vinyl rips. 🔹 Studio One – for mixing, mastering, and refining each track. Download the entire project for FREE with extra visualisers & documentary via Bandcamp - https://azuhl.bandcamp.com/album/prophetic-remixes-vol-1

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it’s a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn’t just entertainment—it was an awakening. POC didn’t just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube’s film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC’s influence has been so profound that they’ve been studied in academic works, including: 📖 Stealing Empire: P2P, Intellectual Property and Hip-Hop Subversion by Adam Haupt 📖 Neva Again: Hip-Hop Art, Activism and Education in Post-Apartheid South Africa (edited by Adam Haupt, Quentin Williams, H Samy Alim & Emile YX?) 📖 Hip-Hop in Africa: Prophets of the City and Dustyfoot Philosophers by Msia Kibona Clark With Prophetic Remixes Vol 1, I wanted to honor their entire discography—the albums that shaped me and so many others: 📀 Our World (1990) 📀 Boom Style (1991) 📀 Age of Truth (1993) – Available on all streaming platforms 📀 Phunk Phlow (1994) 📀 Universal Souljaz (1995) – Available on all streaming platforms 📀 Ghetto Code (1997) – Available on all streaming platforms The Process: A Labor of Love Creating this project wasn’t easy. Many of these songs were never officially released in high-quality digital formats, so obtaining clean vocals was a major challenge. I had to work with old vinyl rips, often filled with hisses, pops, and heavy artifacts. Extracting acapellas became an intricate process—trial and error, frustration, and endless tweaking. To bring Prophetic Remixes Vol 1 to life, I used: 🔹 Serato Studio – for creative remixing and drum sequencing. 🔹 Lalal.AI – to extract vocals from noisy vinyl rips. 🔹 Studio One – for mixing, mastering, and refining each track. Download the entire project for FREE with extra visualisers & documentary via Bandcamp - https://azuhl.bandcamp.com/album/prophetic-remixes-vol-1

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it’s a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn’t just entertainment—it was an awakening. POC didn’t just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube’s film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC’s influence has been so profound that they’ve been studied in academic works, including: 📖 Stealing Empire: P2P, Intellectual Property and Hip-Hop Subversion by Adam Haupt 📖 Neva Again: Hip-Hop Art, Activism and Education in Post-Apartheid South Africa (edited by Adam Haupt, Quentin Williams, H Samy Alim & Emile YX?) 📖 Hip-Hop in Africa: Prophets of the City and Dustyfoot Philosophers by Msia Kibona Clark With Prophetic Remixes Vol 1, I wanted to honor their entire discography—the albums that shaped me and so many others: 📀 Our World (1990) 📀 Boom Style (1991) 📀 Age of Truth (1993) – Available on all streaming platforms 📀 Phunk Phlow (1994) 📀 Universal Souljaz (1995) – Available on all streaming platforms 📀 Ghetto Code (1997) – Available on all streaming platforms The Process: A Labor of Love Creating this project wasn’t easy. Many of these songs were never officially released in high-quality digital formats, so obtaining clean vocals was a major challenge. I had to work with old vinyl rips, often filled with hisses, pops, and heavy artifacts. Extracting acapellas became an intricate process—trial and error, frustration, and endless tweaking. To bring Prophetic Remixes Vol 1 to life, I used: 🔹 Serato Studio – for creative remixing and drum sequencing. 🔹 Lalal.AI – to extract vocals from noisy vinyl rips. 🔹 Studio One – for mixing, mastering, and refining each track. Download the entire project for FREE with extra visualisers & documentary via Bandcamp - https://azuhl.bandcamp.com/album/prophetic-remixes-vol-1

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it’s a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn’t just entertainment—it was an awakening. POC didn’t just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube’s film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC’s influence has been so profound that they’ve been studied in academic works, including: 📖 Stealing Empire: P2P, Intellectual Property and Hip-Hop Subversion by Adam Haupt 📖 Neva Again: Hip-Hop Art, Activism and Education in Post-Apartheid South Africa (edited by Adam Haupt, Quentin Williams, H Samy Alim & Emile YX?) 📖 Hip-Hop in Africa: Prophets of the City and Dustyfoot Philosophers by Msia Kibona Clark With Prophetic Remixes Vol 1, I wanted to honor their entire discography—the albums that shaped me and so many others: 📀 Our World (1990) 📀 Boom Style (1991) 📀 Age of Truth (1993) – Available on all streaming platforms 📀 Phunk Phlow (1994) 📀 Universal Souljaz (1995) – Available on all streaming platforms 📀 Ghetto Code (1997) – Available on all streaming platforms The Process: A Labor of Love Creating this project wasn’t easy. Many of these songs were never officially released in high-quality digital formats, so obtaining clean vocals was a major challenge. I had to work with old vinyl rips, often filled with hisses, pops, and heavy artifacts. Extracting acapellas became an intricate process—trial and error, frustration, and endless tweaking. To bring Prophetic Remixes Vol 1 to life, I used: 🔹 Serato Studio – for creative remixing and drum sequencing. 🔹 Lalal.AI – to extract vocals from noisy vinyl rips. 🔹 Studio One – for mixing, mastering, and refining each track. Download the entire project for FREE with extra visualisers & documentary via Bandcamp - https://azuhl.bandcamp.com/album/prophetic-remixes-vol-1

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it’s a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn’t just entertainment—it was an awakening. POC didn’t just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube’s film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC’s influence has been so profound that they’ve been studied in academic works, including: 📖 Stealing Empire: P2P, Intellectual Property and Hip-Hop Subversion by Adam Haupt 📖 Neva Again: Hip-Hop Art, Activism and Education in Post-Apartheid South Africa (edited by Adam Haupt, Quentin Williams, H Samy Alim & Emile YX?) 📖 Hip-Hop in Africa: Prophets of the City and Dustyfoot Philosophers by Msia Kibona Clark With Prophetic Remixes Vol 1, I wanted to honor their entire discography—the albums that shaped me and so many others: 📀 Our World (1990) 📀 Boom Style (1991) 📀 Age of Truth (1993) – Available on all streaming platforms 📀 Phunk Phlow (1994) 📀 Universal Souljaz (1995) – Available on all streaming platforms 📀 Ghetto Code (1997) – Available on all streaming platforms The Process: A Labor of Love Creating this project wasn’t easy. Many of these songs were never officially released in high-quality digital formats, so obtaining clean vocals was a major challenge. I had to work with old vinyl rips, often filled with hisses, pops, and heavy artifacts. Extracting acapellas became an intricate process—trial and error, frustration, and endless tweaking. To bring Prophetic Remixes Vol 1 to life, I used: 🔹 Serato Studio – for creative remixing and drum sequencing. 🔹 Lalal.AI – to extract vocals from noisy vinyl rips. 🔹 Studio One – for mixing, mastering, and refining each track. Download the entire project for FREE with extra visualisers & documentary via Bandcamp - https://azuhl.bandcamp.com/album/prophetic-remixes-vol-1

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it’s a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn’t just entertainment—it was an awakening. POC didn’t just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube’s film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC’s influence has been so profound that they’ve been studied in academic works, including: 📖 Stealing Empire: P2P, Intellectual Property and Hip-Hop Subversion by Adam Haupt 📖 Neva Again: Hip-Hop Art, Activism and Education in Post-Apartheid South Africa (edited by Adam Haupt, Quentin Williams, H Samy Alim & Emile YX?) 📖 Hip-Hop in Africa: Prophets of the City and Dustyfoot Philosophers by Msia Kibona Clark With Prophetic Remixes Vol 1, I wanted to honor their entire discography—the albums that shaped me and so many others: 📀 Our World (1990) 📀 Boom Style (1991) 📀 Age of Truth (1993) – Available on all streaming platforms 📀 Phunk Phlow (1994) 📀 Universal Souljaz (1995) – Available on all streaming platforms 📀 Ghetto Code (1997) – Available on all streaming platforms The Process: A Labor of Love Creating this project wasn’t easy. Many of these songs were never officially released in high-quality digital formats, so obtaining clean vocals was a major challenge. I had to work with old vinyl rips, often filled with hisses, pops, and heavy artifacts. Extracting acapellas became an intricate process—trial and error, frustration, and endless tweaking. To bring Prophetic Remixes Vol 1 to life, I used: 🔹 Serato Studio – for creative remixing and drum sequencing. 🔹 Lalal.AI – to extract vocals from noisy vinyl rips. 🔹 Studio One – for mixing, mastering, and refining each track. Download the entire project for FREE with extra visualisers & documentary via Bandcamp - https://azuhl.bandcamp.com/album/prophetic-remixes-vol-1

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it’s a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn’t just entertainment—it was an awakening. POC didn’t just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube’s film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC’s influence has been so profound that they’ve been studied in academic works, including: 📖 Stealing Empire: P2P, Intellectual Property and Hip-Hop Subversion by Adam Haupt 📖 Neva Again: Hip-Hop Art, Activism and Education in Post-Apartheid South Africa (edited by Adam Haupt, Quentin Williams, H Samy Alim & Emile YX?) 📖 Hip-Hop in Africa: Prophets of the City and Dustyfoot Philosophers by Msia Kibona Clark With Prophetic Remixes Vol 1, I wanted to honor their entire discography—the albums that shaped me and so many others: 📀 Our World (1990) 📀 Boom Style (1991) 📀 Age of Truth (1993) – Available on all streaming platforms 📀 Phunk Phlow (1994) 📀 Universal Souljaz (1995) – Available on all streaming platforms 📀 Ghetto Code (1997) – Available on all streaming platforms The Process: A Labor of Love Creating this project wasn’t easy. Many of these songs were never officially released in high-quality digital formats, so obtaining clean vocals was a major challenge. I had to work with old vinyl rips, often filled with hisses, pops, and heavy artifacts. Extracting acapellas became an intricate process—trial and error, frustration, and endless tweaking. To bring Prophetic Remixes Vol 1 to life, I used: 🔹 Serato Studio – for creative remixing and drum sequencing. 🔹 Lalal.AI – to extract vocals from noisy vinyl rips. 🔹 Studio One – for mixing, mastering, and refining each track. Download the entire project for FREE with extra visualisers & documentary via Bandcamp - https://azuhl.bandcamp.com/album/prophetic-remixes-vol-1

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it’s a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn’t just entertainment—it was an awakening. POC didn’t just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube’s film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC’s influence has been so profound that they’ve been studied in academic works, including: 📖 Stealing Empire: P2P, Intellectual Property and Hip-Hop Subversion by Adam Haupt 📖 Neva Again: Hip-Hop Art, Activism and Education in Post-Apartheid South Africa (edited by Adam Haupt, Quentin Williams, H Samy Alim & Emile YX?) 📖 Hip-Hop in Africa: Prophets of the City and Dustyfoot Philosophers by Msia Kibona Clark With Prophetic Remixes Vol 1, I wanted to honor their entire discography—the albums that shaped me and so many others: 📀 Our World (1990) 📀 Boom Style (1991) 📀 Age of Truth (1993) – Available on all streaming platforms 📀 Phunk Phlow (1994) 📀 Universal Souljaz (1995) – Available on all streaming platforms 📀 Ghetto Code (1997) – Available on all streaming platforms The Process: A Labor of Love Creating this project wasn’t easy. Many of these songs were never officially released in high-quality digital formats, so obtaining clean vocals was a major challenge. I had to work with old vinyl rips, often filled with hisses, pops, and heavy artifacts. Extracting acapellas became an intricate process—trial and error, frustration, and endless tweaking. To bring Prophetic Remixes Vol 1 to life, I used: 🔹 Serato Studio – for creative remixing and drum sequencing. 🔹 Lalal.AI – to extract vocals from noisy vinyl rips. 🔹 Studio One – for mixing, mastering, and refining each track. Download the entire project for FREE with extra visualisers & documentary via Bandcamp - https://azuhl.bandcamp.com/album/prophetic-remixes-vol-1

Prophetic Remixes Vol 1 – A Tribute to Prophets of Da City For me, this project is more than just a remix album—it’s a personal journey, a tribute, and a deep expression of gratitude. I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn’t just entertainment—it was an awakening. POC didn’t just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense. POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable. Their accolades speak for themselves: 1990: Nominated for the OKTV Award for Best New Group. 1992: Invited by Quincy Jones and Caiphus Semenya to perform at the Montreux Jazz Festival in Switzerland. 1993: Embarked on a national voter education campaign leading up to South Africa's first democratic elections. 1994: Performed at Nelson Mandela's inauguration, delivering their powerful track "Excellent, Finally Black President." 1997: Featured in Ice Cube’s film Dangerous Ground. 1990s: Conducted numerous European tours, a groundbreaking achievement for any South African hip-hop group at the time. POC’s influence has been so profound that they’ve been studied in academic works, including: 📖 Stealing Empire: P2P, Intellectual Property and Hip-Hop Subversion by Adam Haupt 📖 Neva Again: Hip-Hop Art, Activism and Education in Post-Apartheid South Africa (edited by Adam Haupt, Quentin Williams, H Samy Alim & Emile YX?) 📖 Hip-Hop in Africa: Prophets of the City and Dustyfoot Philosophers by Msia Kibona Clark With Prophetic Remixes Vol 1, I wanted to honor their entire discography—the albums that shaped me and so many others: 📀 Our World (1990) 📀 Boom Style (1991) 📀 Age of Truth (1993) – Available on all streaming platforms 📀 Phunk Phlow (1994) 📀 Universal Souljaz (1995) – Available on all streaming platforms 📀 Ghetto Code (1997) – Available on all streaming platforms The Process: A Labor of Love Creating this project wasn’t easy. Many of these songs were never officially released in high-quality digital formats, so obtaining clean vocals was a major challenge. I had to work with old vinyl rips, often filled with hisses, pops, and heavy artifacts. Extracting acapellas became an intricate process—trial and error, frustration, and endless tweaking. To bring Prophetic Remixes Vol 1 to life, I used: 🔹 Serato Studio – for creative remixing and drum sequencing. 🔹 Lalal.AI – to extract vocals from noisy vinyl rips. 🔹 Studio One – for mixing, mastering, and refining each track. Download the entire project for FREE with extra visualisers & documentary via Bandcamp - https://azuhl.bandcamp.com/album/prophetic-remixes-vol-1