Send us a text In this episode we discover how Kali Walsh's mind's eye works using the Discovering Your Mind Protocol. Kali has hyperphantasia and visualizes multiple videos in her mind at the same time from many different angles. Her mind's eye tends to overpower her actual eyes but usually in a very optimistic way. For example, she sees vividly the potential of something more than the reality of it. She says her inner monologue is more like an inner "visualogue" because instead of hearing t...
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Send us a text In this episode we discover how Kali Walsh's mind's eye works using the Discovering Your Mind Protocol. Kali has hyperphantasia and visualizes multiple videos in her mind at the same time from many different angles. Her mind's eye tends to overpower her actual eyes but usually in a very optimistic way. For example, she sees vividly the potential of something more than the reality of it. She says her inner monologue is more like an inner "visualogue" because instead of hearing t...
Send us a text In this episode we discover how Isaac Mathew's mind's eye works using the Discovering Your Mind Protocol. Isaac is a musician who can visualize and hear in his mind. It's interesting to hear how much of his song writing is coming from his mind and how much is coming from his physical hands on a physical guitar. Effort plays a big role in how well he can visualize and hold the images, when he reads, he hears the narration in a soft, clear woman's voice, and his answer to the que...
Discovering Your Mind - Aphantasia and Beyond
Send us a text In this episode we discover how Kali Walsh's mind's eye works using the Discovering Your Mind Protocol. Kali has hyperphantasia and visualizes multiple videos in her mind at the same time from many different angles. Her mind's eye tends to overpower her actual eyes but usually in a very optimistic way. For example, she sees vividly the potential of something more than the reality of it. She says her inner monologue is more like an inner "visualogue" because instead of hearing t...
