Send us a text In this episode we discover how Kali Walsh's mind's eye works using the Discovering Your Mind Protocol. Kali has hyperphantasia and visualizes multiple videos in her mind at the same time from many different angles. Her mind's eye tends to overpower her actual eyes but usually in a very optimistic way. For example, she sees vividly the potential of something more than the reality of it. She says her inner monologue is more like an inner "visualogue" because instead of hearing t...
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Send us a text In this episode we discover how Kali Walsh's mind's eye works using the Discovering Your Mind Protocol. Kali has hyperphantasia and visualizes multiple videos in her mind at the same time from many different angles. Her mind's eye tends to overpower her actual eyes but usually in a very optimistic way. For example, she sees vividly the potential of something more than the reality of it. She says her inner monologue is more like an inner "visualogue" because instead of hearing t...
Send us a textIn this episode we discover how Dana Swindell's mind's eye works using the Discovering Your Mind Protocol. Dana describes her thoughts as an invisible moving marquee that moves very quickly. She struggles with memory but has found many different ways to help with that including speaking things out loud. Her memories and imagination are strongly tied to feelings and emotions. We also talk about perfect pitch memory, spacial senses, sleep masks, seeing without seeing, and blind sp...
Discovering Your Mind - Aphantasia and Beyond
Send us a text In this episode we discover how Kali Walsh's mind's eye works using the Discovering Your Mind Protocol. Kali has hyperphantasia and visualizes multiple videos in her mind at the same time from many different angles. Her mind's eye tends to overpower her actual eyes but usually in a very optimistic way. For example, she sees vividly the potential of something more than the reality of it. She says her inner monologue is more like an inner "visualogue" because instead of hearing t...
