Send us a text In this episode we discover how Kali Walsh's mind's eye works using the Discovering Your Mind Protocol. Kali has hyperphantasia and visualizes multiple videos in her mind at the same time from many different angles. Her mind's eye tends to overpower her actual eyes but usually in a very optimistic way. For example, she sees vividly the potential of something more than the reality of it. She says her inner monologue is more like an inner "visualogue" because instead of hearing t...
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Send us a text In this episode we discover how Kali Walsh's mind's eye works using the Discovering Your Mind Protocol. Kali has hyperphantasia and visualizes multiple videos in her mind at the same time from many different angles. Her mind's eye tends to overpower her actual eyes but usually in a very optimistic way. For example, she sees vividly the potential of something more than the reality of it. She says her inner monologue is more like an inner "visualogue" because instead of hearing t...
Send us a text In this episode I talk with Dawn Rossbach who is a very talented artist who has aphantasia and SDAM. We note that some folks assume that people with aphantasia cannot be artists. We discuss why this is not the case, and what Dawn's personal experiences with art are like. We talk about Dawn's recent grant project that revolves around art and aphantasia and how she is hoping that it brings more awareness about the condition. We also discover that she would make a terrible court w...
Discovering Your Mind - Aphantasia and Beyond
Send us a text In this episode we discover how Kali Walsh's mind's eye works using the Discovering Your Mind Protocol. Kali has hyperphantasia and visualizes multiple videos in her mind at the same time from many different angles. Her mind's eye tends to overpower her actual eyes but usually in a very optimistic way. For example, she sees vividly the potential of something more than the reality of it. She says her inner monologue is more like an inner "visualogue" because instead of hearing t...
