The single source, an essay by Thaddeus March titled "The Upside-Down Mirror," uses the news that Netflix will screen the Stranger Things finale in theaters as a launching point for a broad critique of modern Hollywood and its perceived moral confusion. The author argues that contemporary entertainment prioritizes "cultural compliance" and ideological alignment over genuine creative conviction, often leading to the distortion of reality and the erasure of traditional virtues like sacrifice and faith. March specifically challenges the use of Western-centric, activist-weighted statistics regarding LGBTQ+ identification to mandate casting choices, claiming this practice amounts to "statistical theater" and over-correction. Ultimately, the essay suggests that the cultural “Upside Down” is the confusion between courage and performance, contrasting the self-serving nature of Hollywood with the genuine sacrifice exemplified by historical figures like Sophie Scholl of The White Rose.