On Popular Culture, Norms and Values
Crys Leung (Communication, BA), Felicity Morris (Social Design, MA) and Lara Chapman (Design Curating and Writing, MA) in conversation with Agata Jaworska and Arif Kornweitz
How do we participate, and how are we implicated, in the production and circulation of narratives that shape certain norms and values? In the project Through the Emoji Looking Glass, Lara Chapman creates an augmented tour of the Rijksmuseum, exploring cultural battles that transcend a collection of historic artworks and emoji. In Confident Face Swap, Crys Leung photoshops her face onto the models featured in the September issues of 50 years of Vogue in order to mimic the standard of beauty propagated by the magazine. In Post-Bed-Post, Felicity Morris creates a self-broadcasting bed that live streams to Instagram, turning an intimate object into a site for public broadcasting. From the supposed privacy of our bedroom to the public museum, the projects manifest various techniques of infiltrating and inhabiting mediascapes—from imitation to superimposition and augmentation—as possible modes of critical engagement and commentary.
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On Popular Culture, Norms and Values
Crys Leung (Communication, BA), Felicity Morris (Social Design, MA) and Lara Chapman (Design Curating and Writing, MA) in conversation with Agata Jaworska and Arif Kornweitz
How do we participate, and how are we implicated, in the production and circulation of narratives that shape certain norms and values? In the project Through the Emoji Looking Glass, Lara Chapman creates an augmented tour of the Rijksmuseum, exploring cultural battles that transcend a collection of historic artworks and emoji. In Confident Face Swap, Crys Leung photoshops her face onto the models featured in the September issues of 50 years of Vogue in order to mimic the standard of beauty propagated by the magazine. In Post-Bed-Post, Felicity Morris creates a self-broadcasting bed that live streams to Instagram, turning an intimate object into a site for public broadcasting. From the supposed privacy of our bedroom to the public museum, the projects manifest various techniques of infiltrating and inhabiting mediascapes—from imitation to superimposition and augmentation—as possible modes of critical engagement and commentary.
DAE Design Research Podcast - Baiba Soma and Héloïse Charital on Whiteness
Design Research Podcast
41 minutes 53 seconds
6 years ago
DAE Design Research Podcast - Baiba Soma and Héloïse Charital on Whiteness
On Whiteness
Héloïse Charital (Design Curating & Writing, MA) and Baiba Soma (Well Being, BA) in conversation with Liesbeth Fit and Arif Kornweitz
Whiteness is a construct that maintains credence in contemporary society. From the illusion that white products are newer, safer, more hygienic, and somehow more “pure”, to the false assertion that Ancient Greek sculptures were and are supposed to be white, whiteness is a myth that not only promotes throw-away consumerism, but also erases history, fuels white supremacy, and incites racist violence.
In different ways, Héloïse Charital with her project When is White, White Enough? and Baiba Soma with her project Expired White problematise the signification of whiteness. By staging a re-enactment of the infamous “cleaning” of the Parthenon sculptures by the British Museum at the late 1930s, Héloïse Charital brings the subtle violence enacted through the Museum’s maintenance activities to the fore. By salvaging discarded white consumer goods, and transforming them into “new” products, Baiba Soma challenges the prevailing mentality that perpetuates throw-away consumerism. They speak of their sources, their understandings of research and materialisation, and their publics. Two contrasting examples of “digging into whiteness”, the conversation points to the necessity of gaining greater literacy and awareness of how whiteness continues to perpetuate the unequal distribution of power through myth formation and its institutionalisation.
Design Research Podcast
On Popular Culture, Norms and Values
Crys Leung (Communication, BA), Felicity Morris (Social Design, MA) and Lara Chapman (Design Curating and Writing, MA) in conversation with Agata Jaworska and Arif Kornweitz
How do we participate, and how are we implicated, in the production and circulation of narratives that shape certain norms and values? In the project Through the Emoji Looking Glass, Lara Chapman creates an augmented tour of the Rijksmuseum, exploring cultural battles that transcend a collection of historic artworks and emoji. In Confident Face Swap, Crys Leung photoshops her face onto the models featured in the September issues of 50 years of Vogue in order to mimic the standard of beauty propagated by the magazine. In Post-Bed-Post, Felicity Morris creates a self-broadcasting bed that live streams to Instagram, turning an intimate object into a site for public broadcasting. From the supposed privacy of our bedroom to the public museum, the projects manifest various techniques of infiltrating and inhabiting mediascapes—from imitation to superimposition and augmentation—as possible modes of critical engagement and commentary.
