During this final episode of the season, Edna Bonhomme spoke with Zoé Samudzi.
This is Edna's last episode with the podcast after which Edna will continue to focus more on writing essays and books. You can get updates about Edna's work from www.ednabonhomme.com, Twitter @jacobinoire, or Substack Newsletter Mobile Fragments https://ednabonhomme.substack.com/
Zoé Samudzi is a writer whose work has appeared in The New Inquiry, Verso, The New Republic, Daily Beast, Art in America, Hyperallergic, and other outlets. She is a contributing writer at Jewish Currents. Along with William C. Anderson, she is the co-author of As Black as Resistance: Finding the Conditions for Liberation (AK Press). Samudzi was a 2017 Public Imagination Fellow at the Yerba Buena Center for the Arts and holds a Ph.D. from the University of California San Francisco.
References
As Black as Resistance: https://www.akpress.org/as-black-as-resistance.html
The Holocaust Analogy: https://www.versobooks.com/blogs/3908-the-holocaust-analogy
Looking After: https://www.artforum.com/slant/zoe-samudzi-on-museums-and-human-remains-86153
The Paradox of Plenty: https://www.artnews.com/art-in-america/features/otobong-nkanga-2-1234583810/
For some info on the Herero and Nama genocide, you can read more about it here: https://www.ushmm.org/collections/bibliography/herero-and-nama-genocide
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During this final episode of the season, Edna Bonhomme spoke with Zoé Samudzi.
This is Edna's last episode with the podcast after which Edna will continue to focus more on writing essays and books. You can get updates about Edna's work from www.ednabonhomme.com, Twitter @jacobinoire, or Substack Newsletter Mobile Fragments https://ednabonhomme.substack.com/
Zoé Samudzi is a writer whose work has appeared in The New Inquiry, Verso, The New Republic, Daily Beast, Art in America, Hyperallergic, and other outlets. She is a contributing writer at Jewish Currents. Along with William C. Anderson, she is the co-author of As Black as Resistance: Finding the Conditions for Liberation (AK Press). Samudzi was a 2017 Public Imagination Fellow at the Yerba Buena Center for the Arts and holds a Ph.D. from the University of California San Francisco.
References
As Black as Resistance: https://www.akpress.org/as-black-as-resistance.html
The Holocaust Analogy: https://www.versobooks.com/blogs/3908-the-holocaust-analogy
Looking After: https://www.artforum.com/slant/zoe-samudzi-on-museums-and-human-remains-86153
The Paradox of Plenty: https://www.artnews.com/art-in-america/features/otobong-nkanga-2-1234583810/
For some info on the Herero and Nama genocide, you can read more about it here: https://www.ushmm.org/collections/bibliography/herero-and-nama-genocide
In this episode, edna bonhomme interviews Ncube, a Zimbabwe-born, British writer and director based in Berlin, Germany. Ncube's films explore the Black African psyche in the modern world, especially how the past informs our present and derails our future. Ncube has been making off-theatre productions for close to 10 years. His three feature films consist of his directorial debut: All The Pretty Girls (a quixotic psychodrama with mockumentary elements), that fly 70s sci fi futuristic shit !! (an afrofuturistic blaxploitation wanderlust in the memory of Adam Merai) the AGE of WONDER (a film with 9 names, exploring a changing world from the perspective of two brothers.
Ncube's Films can be viewed at Kino Central in Berlin: kino-central.de
Music by Podington Bear, entitled: Releasing The Sculpture
Musician website: Podingtonbear.com
Decolonization in Action Podcast
During this final episode of the season, Edna Bonhomme spoke with Zoé Samudzi.
This is Edna's last episode with the podcast after which Edna will continue to focus more on writing essays and books. You can get updates about Edna's work from www.ednabonhomme.com, Twitter @jacobinoire, or Substack Newsletter Mobile Fragments https://ednabonhomme.substack.com/
Zoé Samudzi is a writer whose work has appeared in The New Inquiry, Verso, The New Republic, Daily Beast, Art in America, Hyperallergic, and other outlets. She is a contributing writer at Jewish Currents. Along with William C. Anderson, she is the co-author of As Black as Resistance: Finding the Conditions for Liberation (AK Press). Samudzi was a 2017 Public Imagination Fellow at the Yerba Buena Center for the Arts and holds a Ph.D. from the University of California San Francisco.
References
As Black as Resistance: https://www.akpress.org/as-black-as-resistance.html
The Holocaust Analogy: https://www.versobooks.com/blogs/3908-the-holocaust-analogy
Looking After: https://www.artforum.com/slant/zoe-samudzi-on-museums-and-human-remains-86153
The Paradox of Plenty: https://www.artnews.com/art-in-america/features/otobong-nkanga-2-1234583810/
For some info on the Herero and Nama genocide, you can read more about it here: https://www.ushmm.org/collections/bibliography/herero-and-nama-genocide
