Dead End Hip Hop provides coverage of hip-hop and conversations surrounding the culture. Join Ken (“Kinge”), Brandon “B”( B from the D), Rafael (“Feefo”), and Rod of Modest Media. No politics. No BS.
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Dead End Hip Hop provides coverage of hip-hop and conversations surrounding the culture. Join Ken (“Kinge”), Brandon “B”( B from the D), Rafael (“Feefo”), and Rod of Modest Media. No politics. No BS.
Joey Bada$$ has returned with his latest project Lonely at the Top and we are diving deep into everything it brings to the table. Known for his sharp lyricism, nostalgia soaked boom bap production choices, and his ability to balance classic New York energy with modern sounds, Joey is one of the few artists who can bridge eras of hip hop in a natural way. With this new release, he seems to be reflecting on the cost of success, personal growth, and what it means to carry the weight of expectations while carving out his own legacy.
In this review we break down the production, the themes, and Joey’s performance across the tracklist. We talk about the stand out cuts, moments that showcase his pen at its sharpest, and whether the album reaches the highs fans expect after 2000 and his earlier mixtape run. We also get into how Lonely at the Top stacks up against not only his own catalog but also the broader landscape of hip hop in 2025.
Let us know what you think about the project in the comments. Do you feel like Joey pushed himself creatively here or do you think he stayed too close to his comfort zone. The conversation after the conversation is always in the comments so tap in and let us know your thoughts.
#JoeyBadass #LonelyAtTheTop #hiphopreview
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Dead End Hip Hop
Dead End Hip Hop provides coverage of hip-hop and conversations surrounding the culture. Join Ken (“Kinge”), Brandon “B”( B from the D), Rafael (“Feefo”), and Rod of Modest Media. No politics. No BS.
