In this episode, we dive into the story of the Urban Verbs and their 1980 self-titled debut. One of the earliest bands to bridge punk and art rock in Washington, D.C., Urban Verbs helped set the stage for the city’s evolving underground scene. With sharp guitars, moody synths, and a theatrical presence, they brought a new wave sensibility to a city still finding its sound.   We’re joined by Andrew Grossman of The North Country to explore how Urban Verbs shaped early D.C. rock history both as a band and as key players behind the founding of the Atlantis, the precursor to the legendary 9:30 Club. Together, we unpack the band’s connections to Talking Heads, their role in the Atlantis boycott divide, and why their Warner debut captured a moment when D.C. rock could have gone in many different directions.   This episode centers around the 1980 album that caught Brian Eno’s attention, seeded the rise of Inner Ear Studios, and marked a turning point between the city’s punk roots and its more experimental future. Tune in as we trace the ambition, artistry, and legacy of the Urban Verbs. Go Further: Wikipedia – Urban Verbs Washington City Paper – “Backstage with Urban Verbs” Dance of Days by Mark Andersen and Mark Jenkins   Follow Us: Social Media: @dcrockpod Email: dcrockpod@gmail.com Philip Basnight – Broke Royals Alex Vidales – StageCraft Andrew Grossman – The North Country   Sponsor: Get 10% off New Columbia Record Club with checkout code DCROCKS