Daniel Wohl is a Paris-born, LA-residing, award winning composer who has scored many notable TV shows & films, had his works performed publicly by symphonies and has had his solo albums given high marks and praise from New York Times and Pitchfork alike. He’s scored multiple seasons of the hit show Search Party, the Mark Ronson show “Watch the Sound” the Morgan Neville-directed docs “They’ll Love Me When I’m Dead” and “Shangri-La” as well as Tales of the Walking Dead, Robert Zemeckis’ Project Blue Book and many others. In 2023 he composed the score for the art installation Luna Luna and his score with musician Arooj Aftab for the film Rise, Again is currently touring as part of the Sun Dogs series, performed by Alarm Will Sound.

I think the relationship between the editor and composer is the most interesting part of post-production, as well as one that is very overlooked. They're often working off of each other, responding to each other, depending on who started first, or how many rounds of revisions are possible within a given timeline. Both are working with their own rhythms and their own ideas for accenting time. So there’s a lot of room for either conflict or magic, depending on how synced the two roles are. I’ve always wanted to talk to another composer about their experiences and once I met Daniel I knew he was a great person to talk to about this subject. So hopefully this is as enjoyable and enlightening for you as it was for me.