The "No spoilers...but also 'Portrait of a Lady on Fire' is our Film of 2019" edition.
As we slouch toward the end of the decade, beset by forces of oppression, we seek respite with the March family, in Greta Gerwig's version of 19th century Massachusetts. We also speak to Gillian Armstrong about directing the 1994 adaptation of Louisa May Alcott's novel, and hear her thoughts on Gerwig's. Andy interviewed her at the Marrakech International Film Festival and would like to apologise for for the Moroccan music playing throughout the interview. We also count down our Top 3 films of 2019, and thank you very much for listening.
Find us: @ TheCultCapPod and Cultural Capital Podcast
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The "No spoilers...but also 'Portrait of a Lady on Fire' is our Film of 2019" edition.
As we slouch toward the end of the decade, beset by forces of oppression, we seek respite with the March family, in Greta Gerwig's version of 19th century Massachusetts. We also speak to Gillian Armstrong about directing the 1994 adaptation of Louisa May Alcott's novel, and hear her thoughts on Gerwig's. Andy interviewed her at the Marrakech International Film Festival and would like to apologise for for the Moroccan music playing throughout the interview. We also count down our Top 3 films of 2019, and thank you very much for listening.
Find us: @ TheCultCapPod and Cultural Capital Podcast
Episode 59 - If Beale Street Could Talk, The Clock and Velvet Buzzsaw
Cultural Capital
43 minutes 20 seconds
6 years ago
Episode 59 - If Beale Street Could Talk, The Clock and Velvet Buzzsaw
The "Jake Gyllenhaal was bisexual and it wasn't even a big deal" edition.
00:45 If Beale Street Could Talk (Barry Jenkins)
16:06 The Clock (Christian Marclay)
30:08 Cultural Capital Film Diary
33:32 Velvet Buzzsaw (Dan Gilroy)
Find us:
Twitter: TheCultCapPod
Facebook: Cultural Capital Podcast
Instagram: CulturalCapitalPodcast
Cultural Capital
The "No spoilers...but also 'Portrait of a Lady on Fire' is our Film of 2019" edition.
As we slouch toward the end of the decade, beset by forces of oppression, we seek respite with the March family, in Greta Gerwig's version of 19th century Massachusetts. We also speak to Gillian Armstrong about directing the 1994 adaptation of Louisa May Alcott's novel, and hear her thoughts on Gerwig's. Andy interviewed her at the Marrakech International Film Festival and would like to apologise for for the Moroccan music playing throughout the interview. We also count down our Top 3 films of 2019, and thank you very much for listening.
Find us: @ TheCultCapPod and Cultural Capital Podcast
