"Creative Innovators with Gigi Johnson" is a podcast about the people who are changing their worlds.
In each episode, host and change agent Gigi Johnson interviews a different changemaker from a wide range of industries, including creative industries, software, education, sciences, and social innovation. The conversation moves from the guest’s personal history in creative work and innovation -- sometimes back into childhood and first creative directions -- and explores different routes and rabbit holes. We often discuss blockages, creative team choices, the benefits of bad decisions, and non-linear directions in a non-linear life.
Hosted on Acast. See acast.com/privacy for more information.
"Creative Innovators with Gigi Johnson" is a podcast about the people who are changing their worlds.
In each episode, host and change agent Gigi Johnson interviews a different changemaker from a wide range of industries, including creative industries, software, education, sciences, and social innovation. The conversation moves from the guest’s personal history in creative work and innovation -- sometimes back into childhood and first creative directions -- and explores different routes and rabbit holes. We often discuss blockages, creative team choices, the benefits of bad decisions, and non-linear directions in a non-linear life.
Hosted on Acast. See acast.com/privacy for more information.
Question: How can you build campfires, mixing music and social activism?
Guest: Arturo O'Farrill, Founder, Artistic Director, Afro Latin Jazz Alliance; Professor, Global Jazz Studies, The UCLA Herb Alpert School of Music, Associate Dean for Equity, Diversity, and Inclusion
Arturo O'Farrill builds campfires and connects music, activism, and community to build momentum to change his areas of passion in the world -- especially in New York. He shares with us the many projects he is working on, his Grammy-award winning music melding and digging beyond jazz and Latin music roots, his strong beliefs about Cuba and US foreign policy, and his new projects in housing and music in Spanish Harlem. He talks about the impacts on artists with the Virtual Birdland project, which garnered a Grammy nomination, and his work with Dr. Cornel West with Four Questions. He recalls his desires to conduct back at age 6 and breaking into his father's record collection and finding Seven Steps to Heaven, locking in his passion for music. He states with bold examples how "Happiness is marrying your conviction with your art," which frames most of his adult work. He speaks the vigor about the results of unbridled capitalism -- and does not mince words.
ARTURO O’FARRILL, pianist, composer, and educator, was born in Mexico and grew up in New York City. Arturo’s professional career began with the Carla Bley Band and continued as a solo performer with a wide spectrum of artists including Dizzy Gillespie, Lester Bowie, Wynton Marsalis, and Harry Belafonte.
In 2007, he founded the Afro Latin Jazz Alliance as a not-for-profit organization dedicated to the performance, education, and preservation of Afro Latin music.
An avid supporter of all the Arts, Arturo has performed with Ballet Hispanico, Ron Brown’s EVIDENCE Dance company, and the Malpaso Dance Company, for whom he has written several ballets.
Arturo’s well-reviewed and highly praised “Afro-Latin Jazz Suite” from the album CUBA: The Conversation Continues (Motéma) took the 2016 Grammy Award for Best Instrumental Composition as well as the 2016 Latin Grammy for Best Latin Jazz Recording. In addition, his composition “Three Revolutions” from the album Familia-Tribute to Chico and Bebo also received the Best Instrumental Composition Grammy in 2018. Arturo’s 2020 album, “Four Questions” won yet another Grammy award in 2021.
Arturo has been a Steinway Artist for many years and is now a Blue Note Records Recording Artist.
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Your Host: Gigi Johnson, EdD
I run transformative programs, speak/moderate, invest, advise, and produce multimedia on creativity and technology. I taught for 22 years at UCLA, where I ran the Center for Music Innovation and the podcast "Innovating Music," built four industry-connecting programs, and taught undergraduates, MBAs, and executives about disruption in creative industries. Before UCLA, I financed media M&A at Bank of America for ten years.
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Sponsored and Produced by the Maremel Institute
Hosted on Acast. See acast.com/privacy for more information.