Diary Of A Music Manager Ep. 5 - Recording and Compositional Rights

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Creative DLC: Diary Of A Music Manager

Kenny Vaughan

18 episodes

1 week ago

This is my diary on becoming a music manager. Discoveries and insights for creatives as audio Creative DLC. My learning portfolio, told by me, Kenny Vaughan.

Music Commentary

Music

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All content for Creative DLC: Diary Of A Music Manager is the property of Kenny Vaughan and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.

This is my diary on becoming a music manager. Discoveries and insights for creatives as audio Creative DLC. My learning portfolio, told by me, Kenny Vaughan.

Music Commentary

Music

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Diary Of A Music Manager Ep. 5 - Recording and Compositional Rights - September 2022

Creative DLC: Diary Of A Music Manager

4 minutes 55 seconds

3 years ago

Diary Of A Music Manager Ep. 5 - Recording and Compositional Rights - September 2022

A short update and explaining the difference between how management works between RIVES and Ebi Soda.

Mini music rights cheat sheet below:

Recordings/masters are the actual audio file you listen to. Record Labels buy these rights from artists, and monetise them by selling vinyl/CD, getting them streamed, licensed for adverts/TV, public performance and much more. Songs/compositions are the lyrics and melody within the audio files.

Publishers buy these from the artist and monetise these by encouraging other performing artists to play/use their compositions (covers), placement on adverts/TV, public performance, sheet music and much more.

Once again, big ups to Rob and Ollie Radio as part of Future Hits Radio for making RIVES Artist Of The Week!