Rūta Vitkauskaitė’s work reflects a deep commitment and understanding of academic music combining her sincere interest in tribal and ethnic music. In addition to hearing her own solo violin performance, we learn about the complex and sometimes challenging aspects of her compositional process, her courage to fight for her creative space, the relationships she has formed with her collaborators and her sincere care for her audience. We also learn about her sound walk project. Her music is highly dynamic,  always generating an active emotion. Tracklist:Podcast intro: Bronius Kutavičius Anno cum tettigonia from Lithuanian Music in Context II. Landscapes of Minimalism (Music Information Centre Lithuania, 2011), Silesian String Quartet: Marek Moś (violin), Arkadiusz Kubica (violin), Łukasz Syrnicki (viola), Piotr Janosik (cello). Compositions by Rūta Vitkauskaitė: Chrysalis (2018), Jude Carlton (percussion), Lithuanian National Symphony Orchestra, conductor – Karolis Variakojis, Gaida Festival, 2018; Orion Arm (2011), Ludus Gravis: Daniele Roccato, Stefano Battaglia, Maurizio Bucci, Paolo Di Gironimo, Simone Masina, Giacomo Piermatti, Francesco Platoni, Alessandro Schillaci (double basses), Gaida Festival, 2011; Savęsp (2018), Martynas Levickis (accordion), Vilnius City Ensemble Mikroorkéstra, Congress Hall, Vilnius, 2018; Song about tree, river, sea and land (2009), NOA vocal ensemble: Olga Zagorskaja (soprano), Nora Petročenko (soprano), Rita Mačiliūnaitė (mezzo-soprano), Ana Ablamonova (mezzo-sooprano), Indrė Jurgelevičiūtė (alto), Akvilė Kalinaitė (alto), Artūras Miknaitis (baritone), Mykolas Natalevičius (bass), Giedrius Gelgotas (flute),  Arūnas Kučinskas (double-bass), conductor – Egidijus Kaveckas, Druskomanija Festival, 2009; The Oracle of Many Winds (2021), Katherine Wren (viola), Modern Chants 2021; Byoyomi (2020), CRAS: Henrik Bay Hansen, Mikkel Egelund Nielsen, Jacob Nørrelund, Søren Eriksen, Uffe Carl Hanson, Peter Oldrup (guitars), Cinemateket 2020; O Mirum (2020), Rūta Vitkauskaitė (violin, electronics).