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Composer Magazine Podcast
Charles Steinberg
17 episodes
5 months ago
Ahead of the 76th Emmys Awards, we talk with the composer of Ripley, the latest masterful adaptation of The Talented Mr. Ripley and a Netflix thriller that pulled 13 nominations for a limited series. It should have been 14 with Jeff Russo's score. One of the steadiest working composers in the game gets into the period influences of his music for Ripley and shares what it means to be the new standard bearer for some of the longest standing IP in Film & Television.
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Music Interviews
Music
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All content for Composer Magazine Podcast is the property of Charles Steinberg and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Ahead of the 76th Emmys Awards, we talk with the composer of Ripley, the latest masterful adaptation of The Talented Mr. Ripley and a Netflix thriller that pulled 13 nominations for a limited series. It should have been 14 with Jeff Russo's score. One of the steadiest working composers in the game gets into the period influences of his music for Ripley and shares what it means to be the new standard bearer for some of the longest standing IP in Film & Television.
Show more...
Music Interviews
Music
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Nathan Micay
Composer Magazine Podcast
37 minutes
6 months ago
Nathan Micay
Two seasons in, the HBO/BBC series Industry has become one the sharpest, most riveting productions on television. The key to its success is how it invites the audience into the elite domain of London finance from the perspective of aspirational newcomers to the trade, looking to get ahead at all costs. Nathan Micay is a relative newcomer himself – to scoring – and his slick, intricate synth-based score is clearly the guide through it all, mirroring the aspiration and tension that permeates ch...
Composer Magazine Podcast
Ahead of the 76th Emmys Awards, we talk with the composer of Ripley, the latest masterful adaptation of The Talented Mr. Ripley and a Netflix thriller that pulled 13 nominations for a limited series. It should have been 14 with Jeff Russo's score. One of the steadiest working composers in the game gets into the period influences of his music for Ripley and shares what it means to be the new standard bearer for some of the longest standing IP in Film & Television.