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Composer Magazine Podcast
Charles Steinberg
17 episodes
7 months ago
Ahead of the 76th Emmys Awards, we talk with the composer of Ripley, the latest masterful adaptation of The Talented Mr. Ripley and a Netflix thriller that pulled 13 nominations for a limited series. It should have been 14 with Jeff Russo's score. One of the steadiest working composers in the game gets into the period influences of his music for Ripley and shares what it means to be the new standard bearer for some of the longest standing IP in Film & Television.
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Music Interviews
Music
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All content for Composer Magazine Podcast is the property of Charles Steinberg and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Ahead of the 76th Emmys Awards, we talk with the composer of Ripley, the latest masterful adaptation of The Talented Mr. Ripley and a Netflix thriller that pulled 13 nominations for a limited series. It should have been 14 with Jeff Russo's score. One of the steadiest working composers in the game gets into the period influences of his music for Ripley and shares what it means to be the new standard bearer for some of the longest standing IP in Film & Television.
Show more...
Music Interviews
Music
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David Wingo, Part 2 ('Barry' Season 4)
Composer Magazine Podcast
26 minutes
9 months ago
David Wingo, Part 2 ('Barry' Season 4)
Incoming just before the series finale of Barry! Here is part 2 of our 2 part conversation with series composer, David Wingo. Charles caught up with David midway through this fourth and final season, just as he had put the finishing polish on this season's music.
Composer Magazine Podcast
Ahead of the 76th Emmys Awards, we talk with the composer of Ripley, the latest masterful adaptation of The Talented Mr. Ripley and a Netflix thriller that pulled 13 nominations for a limited series. It should have been 14 with Jeff Russo's score. One of the steadiest working composers in the game gets into the period influences of his music for Ripley and shares what it means to be the new standard bearer for some of the longest standing IP in Film & Television.