Ahead of the 76th Emmys Awards, we talk with the composer of Ripley, the latest masterful adaptation of The Talented Mr. Ripley and a Netflix thriller that pulled 13 nominations for a limited series. It should have been 14 with Jeff Russo's score. One of the steadiest working composers in the game gets into the period influences of his music for Ripley and shares what it means to be the new standard bearer for some of the longest standing IP in Film & Television.
All content for Composer Magazine Podcast is the property of Charles Steinberg and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Ahead of the 76th Emmys Awards, we talk with the composer of Ripley, the latest masterful adaptation of The Talented Mr. Ripley and a Netflix thriller that pulled 13 nominations for a limited series. It should have been 14 with Jeff Russo's score. One of the steadiest working composers in the game gets into the period influences of his music for Ripley and shares what it means to be the new standard bearer for some of the longest standing IP in Film & Television.
The timing couldn’t have been better. Just as Dave Porter was winding down from his career-defining charge to compose all of the music for Breaking Bad, and its subsequent prequel Better Call Saul, we caught up with him to get his perspectives on being the musical anchor for one of the great stories told on television.Whether or not you are a Breaking Bad heavy, listen in and get to know one of our major contemporary composers. It's the stuff of legends.
Composer Magazine Podcast
Ahead of the 76th Emmys Awards, we talk with the composer of Ripley, the latest masterful adaptation of The Talented Mr. Ripley and a Netflix thriller that pulled 13 nominations for a limited series. It should have been 14 with Jeff Russo's score. One of the steadiest working composers in the game gets into the period influences of his music for Ripley and shares what it means to be the new standard bearer for some of the longest standing IP in Film & Television.
