Jocelyn Hagen shares conversations with composers as a part of Compose Like a Girl, an initiative that amplifies female-identifying composers, helps conductors diversify their concerts, and works toward more equality in music programming and commissioning.
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Jocelyn Hagen shares conversations with composers as a part of Compose Like a Girl, an initiative that amplifies female-identifying composers, helps conductors diversify their concerts, and works toward more equality in music programming and commissioning.
Chen Yi: Blending Classical Compositional Styles and a Dedication to Students
Compose Like a Girl
35 minutes 34 seconds
2 years ago
Chen Yi: Blending Classical Compositional Styles and a Dedication to Students
Chen Yi joins Jocelyn to share her approaches to blending classical compositional styles and teaching. Hear the full conversation by becoming a Patreon subscriber.
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Transcript PDF
Relevant Links:
Chen Yi
https://www.presser.com/chen-yi-at-70 https://conservatory.umkc.edu/profiles/faculty-directory/chen-yi.html
To learn more about Chinese Cultural Revolution and Chinese Traditional Music, visit: https://www.nytimes.com/2016/05/15/world/asia/china-cultural-revolution-explainer.html
https://spice.fsi.stanford.edu/docs/introduction_to_the_cultural_revolution
https://en.wikipedia.org/wiki/Music_of_China
https://www.kennedy-center.org/education/resources-for-educators/classroom-resources/media-and-interactives/media/international/music-of-china/
Tang Dynasty
Central Conservatory of Music in Beijing
Tianjin Conservatory
National Symphony Orchestra, Taiwan
University of Missouri-Kansas City Conservatory
Peabody Institute
UMKC Composition Competition Opportunities
Beijing International Composition Workshop
Chanticleer
Albums: Colors of Love and The Siren’s Call: Live Concert Highlights
Album: Digital Mist - Works For Violin and Piano; Patrick Yim (violin), Kiu Tung Poon (piano), Sebastian Currier
Albany Records
Jennifer Higdon
Niccolò Paganini
Compose Like a Girl
Jocelyn Hagen shares conversations with composers as a part of Compose Like a Girl, an initiative that amplifies female-identifying composers, helps conductors diversify their concerts, and works toward more equality in music programming and commissioning.
