Connor pops in to announce incredibly belatedly what has already been apparent for months: Close Talking is on a hiatus! We've had some big life and career changes that have unexpectedly cut into our capacity for the podcast, but it's not a permanent hiatus! Okay, a poem:
Tune
By: Kay Ryan
Imagine a sea
of ultramarine
suspending a
million jellyfish
as soft as moons.
Imagine the
interlocking uninsistent
tunes of drifting things.
This is the deep machine
that powers the lamps
of dreams and accounts
for their bluish tint.
How can something
so grand and serene
vanish again and again
without a hint?
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Connor pops in to announce incredibly belatedly what has already been apparent for months: Close Talking is on a hiatus! We've had some big life and career changes that have unexpectedly cut into our capacity for the podcast, but it's not a permanent hiatus! Okay, a poem:
Tune
By: Kay Ryan
Imagine a sea
of ultramarine
suspending a
million jellyfish
as soft as moons.
Imagine the
interlocking uninsistent
tunes of drifting things.
This is the deep machine
that powers the lamps
of dreams and accounts
for their bluish tint.
How can something
so grand and serene
vanish again and again
without a hint?
Episode #169 I Hear A Dog Who Is Always in My Death - Samuel Ace
Close Talking: A Poetry Podcast
1 hour 25 minutes 19 seconds
3 years ago
Episode #169 I Hear A Dog Who Is Always in My Death - Samuel Ace
Posted at long last after overcoming major technical difficulties!! Connor and Jack dive into the poem "I Hear a Dog Who is Always in My Death" by Samuel Ace. They discuss the poem's evocative imagery, ruminate on it's call to action against encroaching fascism, and find resonances with English and Egyptian mythology. They also make some time to dunk on transphobes.
I Hear a Dog Who is Always in My Death
By: Samuel Ace
How is it you bring me back to the cliffs the bright heads of eagles the vessels of grief in the soil? I dig for you with a gentle bit of lighter fluid and three miniature rakes burning only a single speck of dirt to touch a twig as tiny as a neuron or even smaller one magic synapse inside the terminus limbs of your breath
The fighter jets fly over the house every hour no sound but inside our hands I hear a far chime and I am cold a north wind and the grit of night first the murmur then the corpse first the paddling then the banquet first the muzzle then the hanging the plea first the break then the tap the tap I hear your skin the reach of your arms the slick along your thighs more floorboard than step first the flannel then the gag first the bells then the exhale
I hear a dog who is always in my death the breath of a mother who holds a gun a pillow in the shape of a heart first the planes then the criminal ponds first the ghost boats then the trains first the gates then the bargain a child formed from my fingertip and the eye of my grandmother’s mother a child born at 90 the rise and rush of air a child who walks from the gas
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Close Talking: A Poetry Podcast
Connor pops in to announce incredibly belatedly what has already been apparent for months: Close Talking is on a hiatus! We've had some big life and career changes that have unexpectedly cut into our capacity for the podcast, but it's not a permanent hiatus! Okay, a poem:
Tune
By: Kay Ryan
Imagine a sea
of ultramarine
suspending a
million jellyfish
as soft as moons.
Imagine the
interlocking uninsistent
tunes of drifting things.
This is the deep machine
that powers the lamps
of dreams and accounts
for their bluish tint.
How can something
so grand and serene
vanish again and again
without a hint?