Leonora Carrington was a prodigious artist closely associated with major surrealists of the 1930s. Though only sporadically in print until recently, her writing has helped cement her cult status, not least The Hearing Trumpet (1974). Before her family consign her to an old-age facility, nonagenarian Marian Leatherby is gifted a hearing trumpet with almost magical capabilities. Her institutionalisation leads to much eavesdropping, a Grail quest, descent into the underworld and an apocalyptic ice age. Joyous, disturbing and subversive, The Hearing Trumpet is full of themes and images that populate Carrington’s artwork and other writing. Both Marina and Chloe knew Leonora Carrington, and in this episode they reflect on the ways her personality inflected her work. Their reading of The Hearing Trumpet reveals her humour, her visionary imagination and her attention to the boundaries between inner and outer realties. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe: Directly in Apple Podcasts: ⁠⁠⁠⁠https://lrb.me/applecrff⁠⁠⁠⁠ In other podcast apps: ⁠⁠⁠⁠https://lrb.me/closereadingsff⁠⁠⁠ Further reading in the LRB: Chloe Aridjis: A Leonora Carrington A to Z https://www.lrb.co.uk/blog/2017/april/a-leonora-carrington-a-to-z Alice Spawls: On Leonora Carrington https://www.lrb.co.uk/the-paper/v37/n08/alice-spawls/at-tate-liverpool Edmund Gordon: Save the feet for later https://www.lrb.co.uk/the-paper/v39/n21/edmund-gordon/save-the-feet-for-later Next episode: Marina and Chloe discuss J.G. Ballard’s The Atrocity Exhibition and Angela Carter’s The Passion of the New Eve.