“The smile goes away the longer they experience the work” - John Vea
Comic Release is a three-part podcast series hosted by artist Joe Jowitt which explores the use of humour in artists' moving image.
In this conversation, Joe meets Tāmaki Makaurau Auckland-born, Ōtautahi-based artist John Vea, whose work uses humour as a device to draw viewers into deeper dialogues around Pasifika identity.
Image: John Vea, Is your name Siliga? No? Oh, you’re Pati? (2025) (detail)
List of Topics:
00:00: Introduction
01:34: What is Talanoa? John - “a holistic way of experiencing information... a learning mechansim”.
03.20: On the video work Is your name Siliga? No? Oh, you’re Pati? (2025)' included in the exhibition Ini Mini Mani Mou (2025) at the Christchurch Art Gallery. John describes the genesis of the work; coming from the real life experience of being mistaken for someone else. In the video, friends “narrate their experiences of these stereotypical events. “It’s funny… it’s not sort of funny”.
05.50: Was the humour in the video intentional? John - “We’re used to laughing at our trauma, which is sad cos we glaze over it... especially when we're kids”.
07:30: John on the nature of Pacific humour generally; and then on integrating it into his work. He discusses the 2019 installation If I pick your fruit, will you put mine back? shown in Sydney. Humour as a 'Trojan horse'.
10:00: On adjusting a work for different social and class contexts "If it has to be subtle... because of the community, then I'll change it up". The difficulty of reinstalling works in a new space, a new context.
12:30: The line between poetic and humorous. How does John "walk that line?" John - “It starts off quite heavy”.
14:30: Joe on the effect on him as an audience member of watching Is your name Siliga? No? Oh, you’re Pati? (2025). John discusses the common Pasifika experience of changing one's name to “fit in”.
16:30: On site specificity; and showing the video Is your name Siliga? No? Oh, you’re Pati? to Christchurch audiences.
17:00: Is the current political climate influencing new work? John - “It's sad that my practice is almost relying on trauma“.
18:00: On John's recent move to Otautahi from Tāmaki Makaurau, being Pasifika in Otautahi.
20:30: John on making Tribute to American Samoa and Tonga (2009); combining sculpture and video, objects as projection surface. The story of the making of the work, and the first installation releasing salt water from the sea into the gallery.
24:00: On conceptualising the work and discarding various sculptural options during this process.
25:30: “Is it a problem if someone comes out of a work and just goes, oh, that was so funny, and then that's it?" John discusses how viewers absorb the work the more time they spend with it.
26:30: Using the body in John’s videos. On the work Finish this week off and that’s it! (2009). John - "I wanted (the audience) to just experience working for two hours... not working in terms of the physical, but... to make them sit there and engage with the work for that amount of time".
28:00: John discusses how the audiences limited attention span for the two hour work is analogous to the lack of interest in acknowledging the cost of labour on Pasifika bodies, and the poor wages for this work.
29:00 On eating below the poverty line for six weeks whilst making Finish this week off and that’s it!
30:00 Comedy as a vehicle for hard conversations. Joe - “...what's interesting is the uncomfortable laughter... is that something you purposefully go for?"
31:00 Joe - "Is it okay for people to laugh at your work?" John - "Humour is welcomed in my practice. But expect the humour to be wiped off your face once you experience the works longer."
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“The smile goes away the longer they experience the work” - John Vea
Comic Release is a three-part podcast series hosted by artist Joe Jowitt which explores the use of humour in artists' moving image.
In this conversation, Joe meets Tāmaki Makaurau Auckland-born, Ōtautahi-based artist John Vea, whose work uses humour as a device to draw viewers into deeper dialogues around Pasifika identity.
Image: John Vea, Is your name Siliga? No? Oh, you’re Pati? (2025) (detail)
List of Topics:
00:00: Introduction
01:34: What is Talanoa? John - “a holistic way of experiencing information... a learning mechansim”.
03.20: On the video work Is your name Siliga? No? Oh, you’re Pati? (2025)' included in the exhibition Ini Mini Mani Mou (2025) at the Christchurch Art Gallery. John describes the genesis of the work; coming from the real life experience of being mistaken for someone else. In the video, friends “narrate their experiences of these stereotypical events. “It’s funny… it’s not sort of funny”.
05.50: Was the humour in the video intentional? John - “We’re used to laughing at our trauma, which is sad cos we glaze over it... especially when we're kids”.
07:30: John on the nature of Pacific humour generally; and then on integrating it into his work. He discusses the 2019 installation If I pick your fruit, will you put mine back? shown in Sydney. Humour as a 'Trojan horse'.
10:00: On adjusting a work for different social and class contexts "If it has to be subtle... because of the community, then I'll change it up". The difficulty of reinstalling works in a new space, a new context.
12:30: The line between poetic and humorous. How does John "walk that line?" John - “It starts off quite heavy”.
14:30: Joe on the effect on him as an audience member of watching Is your name Siliga? No? Oh, you’re Pati? (2025). John discusses the common Pasifika experience of changing one's name to “fit in”.
16:30: On site specificity; and showing the video Is your name Siliga? No? Oh, you’re Pati? to Christchurch audiences.
17:00: Is the current political climate influencing new work? John - “It's sad that my practice is almost relying on trauma“.
18:00: On John's recent move to Otautahi from Tāmaki Makaurau, being Pasifika in Otautahi.
20:30: John on making Tribute to American Samoa and Tonga (2009); combining sculpture and video, objects as projection surface. The story of the making of the work, and the first installation releasing salt water from the sea into the gallery.
24:00: On conceptualising the work and discarding various sculptural options during this process.
25:30: “Is it a problem if someone comes out of a work and just goes, oh, that was so funny, and then that's it?" John discusses how viewers absorb the work the more time they spend with it.
26:30: Using the body in John’s videos. On the work Finish this week off and that’s it! (2009). John - "I wanted (the audience) to just experience working for two hours... not working in terms of the physical, but... to make them sit there and engage with the work for that amount of time".
28:00: John discusses how the audiences limited attention span for the two hour work is analogous to the lack of interest in acknowledging the cost of labour on Pasifika bodies, and the poor wages for this work.
29:00 On eating below the poverty line for six weeks whilst making Finish this week off and that’s it!
30:00 Comedy as a vehicle for hard conversations. Joe - “...what's interesting is the uncomfortable laughter... is that something you purposefully go for?"
31:00 Joe - "Is it okay for people to laugh at your work?" John - "Humour is welcomed in my practice. But expect the humour to be wiped off your face once you experience the works longer."
"There is a vitality that is held in the earth." Artist Nat Tozer and CIRCUIT director Mark Williams talk archaeology, deep time and kaitiakitanga on the occasion of the Aotearoa premiere of Erotic Geologies, Tozer's most complex work to date.
Nat Tozer’s Erotic Geologies (2024) is an ambitious new video project described as "a sci-fi parable that seeks knowledge from the underground." Shifting through an otherworldly landscape where rocky outcrops meet tumultuous skies, the setting of the film makes reference to post-earthquake Ōtautahi in Te Waipounamu and the Tongariro Crossing in Te Ika-a-Māui. The narrative follows protagonists Rangi and Liberté, characters inspired by both Māori mythologies surrounding the figures of Ranginui and Papatūānuku’s children, and Greek figures Deucalion and Pyrrha. Archaeology, time and kaitiakitanga are central to the work, which merges a local, contemporary narrative with deep time and mythology.
While several of Tozer's earlier video works were one-person productions shot on her iPhone, Erotic Geologies marks a profound shift in production methodologies, and incorporates actors, technical collaborators, and apocalyptic animated landscapes.
In this kōrero, Tozer discusses her expansive practice, reflecting on "the slippery mess of our built environment."
CIRCUIT CAST
“The smile goes away the longer they experience the work” - John Vea
Comic Release is a three-part podcast series hosted by artist Joe Jowitt which explores the use of humour in artists' moving image.
In this conversation, Joe meets Tāmaki Makaurau Auckland-born, Ōtautahi-based artist John Vea, whose work uses humour as a device to draw viewers into deeper dialogues around Pasifika identity.
Image: John Vea, Is your name Siliga? No? Oh, you’re Pati? (2025) (detail)
List of Topics:
00:00: Introduction
01:34: What is Talanoa? John - “a holistic way of experiencing information... a learning mechansim”.
03.20: On the video work Is your name Siliga? No? Oh, you’re Pati? (2025)' included in the exhibition Ini Mini Mani Mou (2025) at the Christchurch Art Gallery. John describes the genesis of the work; coming from the real life experience of being mistaken for someone else. In the video, friends “narrate their experiences of these stereotypical events. “It’s funny… it’s not sort of funny”.
05.50: Was the humour in the video intentional? John - “We’re used to laughing at our trauma, which is sad cos we glaze over it... especially when we're kids”.
07:30: John on the nature of Pacific humour generally; and then on integrating it into his work. He discusses the 2019 installation If I pick your fruit, will you put mine back? shown in Sydney. Humour as a 'Trojan horse'.
10:00: On adjusting a work for different social and class contexts "If it has to be subtle... because of the community, then I'll change it up". The difficulty of reinstalling works in a new space, a new context.
12:30: The line between poetic and humorous. How does John "walk that line?" John - “It starts off quite heavy”.
14:30: Joe on the effect on him as an audience member of watching Is your name Siliga? No? Oh, you’re Pati? (2025). John discusses the common Pasifika experience of changing one's name to “fit in”.
16:30: On site specificity; and showing the video Is your name Siliga? No? Oh, you’re Pati? to Christchurch audiences.
17:00: Is the current political climate influencing new work? John - “It's sad that my practice is almost relying on trauma“.
18:00: On John's recent move to Otautahi from Tāmaki Makaurau, being Pasifika in Otautahi.
20:30: John on making Tribute to American Samoa and Tonga (2009); combining sculpture and video, objects as projection surface. The story of the making of the work, and the first installation releasing salt water from the sea into the gallery.
24:00: On conceptualising the work and discarding various sculptural options during this process.
25:30: “Is it a problem if someone comes out of a work and just goes, oh, that was so funny, and then that's it?" John discusses how viewers absorb the work the more time they spend with it.
26:30: Using the body in John’s videos. On the work Finish this week off and that’s it! (2009). John - "I wanted (the audience) to just experience working for two hours... not working in terms of the physical, but... to make them sit there and engage with the work for that amount of time".
28:00: John discusses how the audiences limited attention span for the two hour work is analogous to the lack of interest in acknowledging the cost of labour on Pasifika bodies, and the poor wages for this work.
29:00 On eating below the poverty line for six weeks whilst making Finish this week off and that’s it!
30:00 Comedy as a vehicle for hard conversations. Joe - “...what's interesting is the uncomfortable laughter... is that something you purposefully go for?"
31:00 Joe - "Is it okay for people to laugh at your work?" John - "Humour is welcomed in my practice. But expect the humour to be wiped off your face once you experience the works longer."
