Alex Cox is a longtime filmmaker with a deserved cult fanbase thanks to REPO MAN, SID & NANCY, STRAIGHT TO HELL and WALKER, and has continued to make low budget films ever since, including his 1991 film EL PATRULLERO (HIGHWAY PATROLMAN), currently in re-release in theaters.
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Alex Cox is a longtime filmmaker with a deserved cult fanbase thanks to REPO MAN, SID & NANCY, STRAIGHT TO HELL and WALKER, and has continued to make low budget films ever since, including his 1991 film EL PATRULLERO (HIGHWAY PATROLMAN), currently in re-release in theaters.
Jem Cohen has been making films since the 1980s, from legendary short shorts ("This Is A History of New York") and mystical longer shorts ("Lost Book Found") to inspiring features ("Benjamin: Smoke" co-directed with Peter Sillen, and "Fugazi: Instrument"). He captures people in such a way that you feel an innocence that movie cameras used to capture 100 years ago.
We talk about his latest feature "Museum Hours," new projects, his friendship with Chris Marker, motivations behind filmmaking and how American audiences are still surprising and strong. Jem is philosophical, often working alone with a camera on a street corner - but he is also a fun-loving humorous guy.
Cinemad
Alex Cox is a longtime filmmaker with a deserved cult fanbase thanks to REPO MAN, SID & NANCY, STRAIGHT TO HELL and WALKER, and has continued to make low budget films ever since, including his 1991 film EL PATRULLERO (HIGHWAY PATROLMAN), currently in re-release in theaters.