Alex Cox is a longtime filmmaker with a deserved cult fanbase thanks to REPO MAN, SID & NANCY, STRAIGHT TO HELL and WALKER, and has continued to make low budget films ever since, including his 1991 film EL PATRULLERO (HIGHWAY PATROLMAN), currently in re-release in theaters.
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Alex Cox is a longtime filmmaker with a deserved cult fanbase thanks to REPO MAN, SID & NANCY, STRAIGHT TO HELL and WALKER, and has continued to make low budget films ever since, including his 1991 film EL PATRULLERO (HIGHWAY PATROLMAN), currently in re-release in theaters.
This is a quick podcast, highlights from a panel discussion I led at the Off Camera Film Festival in Krakow in 2009, where Anna Karina was showing a selection of her films she made with Godard and a few films she directed. If you don't know her, she made some of the best films of the 1960s with Jean-Luc Godard, Jean-Paul Belmondo and other great French cinema icons. The films not only hold up today as fresh and inspirational with old school genre stories (love, crime, life) reinvigorated with an exciting, unexpected style. But you realize how much of modern independent cinema has learned/borrowed/stolen from the group, particularly the power of Anna onscreen.
Cinemad
Alex Cox is a longtime filmmaker with a deserved cult fanbase thanks to REPO MAN, SID & NANCY, STRAIGHT TO HELL and WALKER, and has continued to make low budget films ever since, including his 1991 film EL PATRULLERO (HIGHWAY PATROLMAN), currently in re-release in theaters.
