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Cinema of Cruelty (Movies for Masochists)
The Cultists
73 episodes
5 days ago
From the elusive transcendental logic of Mulholland Drive, to Showgirls’ sly satirical embrace of exploitation and excess, to the assumption in Southland Tales that its audience has already read the six-volume source material, some films are simply more “cruel” on their audiences than others. So, please, lie back and let The Cultists be your guides through the paralyzing and perplexing void of arthouse, experimental, avant-garde, "cult,” and otherwise just generally weird WTF cinema. Because some films just beg to be annotated. Twitter/Insta: @CinemaOfCruelty Reddit: /r/CinemaOfCruelty
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TV & Film
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From the elusive transcendental logic of Mulholland Drive, to Showgirls’ sly satirical embrace of exploitation and excess, to the assumption in Southland Tales that its audience has already read the six-volume source material, some films are simply more “cruel” on their audiences than others. So, please, lie back and let The Cultists be your guides through the paralyzing and perplexing void of arthouse, experimental, avant-garde, "cult,” and otherwise just generally weird WTF cinema. Because some films just beg to be annotated. Twitter/Insta: @CinemaOfCruelty Reddit: /r/CinemaOfCruelty
Show more...
TV & Film
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URBAN LEGEND (1998)— The Ostension is Coming from Inside the House.
Cinema of Cruelty (Movies for Masochists)
2 hours 59 minutes 24 seconds
3 years ago
URBAN LEGEND (1998)— The Ostension is Coming from Inside the House.

On this week's annotated deep dive, The Cultists present 'Urban Legend' (1998). A classic tale of a disgruntled heartbroken serial killer who seeks vengeance by re-enacting even more classic tales of contemporary lore, UL is the kind of film that has a surprising amount of depth lurking beneath its colorful, campy surface. Taking inspiration from the foundational urban legend scholarship of Jan Harold Brunvard and stuffing references to a wide range of contemporary tale cycles into every turn, UL’s most lasting, yet oft forgotten, legacy is that it helped bring the term “Urban Legend” out of the pages of Brunvard’s collegiate books and into the mass culture of a vernacular teenage audience. That’s right, this is the kind of film that academics (re: folklorists) love, even if no one else will admit that they do too. (We will though).

Deep Dives include: the film’s production history; the subtle but stunning lighting and camerawork; the folklore sources and evolved cultural meanings of the multitude of the film’s referenced urban legend cycles (including the static enduring threats that lurk around and under your car, the ever-shifting concern of birth control pill swapping, the Victorian marriage rituals of Bloody Mary, and the 70s flash fear of the danger of BubbleYum and Pop Rocks, etc.); the foundational folklore scholarship of Brunvard, Dundes, and Degh; why if you decide to kill a bunch of people by re-enacting urban legends it’s called “ostension” ; and how even after all that, the strangest thing of all is that this film’s top billed cast member is pretty sure he was never in it.

Episode Safeword: "veracity" 

Cinema of Cruelty (Movies for Masochists)
From the elusive transcendental logic of Mulholland Drive, to Showgirls’ sly satirical embrace of exploitation and excess, to the assumption in Southland Tales that its audience has already read the six-volume source material, some films are simply more “cruel” on their audiences than others. So, please, lie back and let The Cultists be your guides through the paralyzing and perplexing void of arthouse, experimental, avant-garde, "cult,” and otherwise just generally weird WTF cinema. Because some films just beg to be annotated. Twitter/Insta: @CinemaOfCruelty Reddit: /r/CinemaOfCruelty