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Cinema of Cruelty (Movies for Masochists)
The Cultists
73 episodes
6 days ago
From the elusive transcendental logic of Mulholland Drive, to Showgirls’ sly satirical embrace of exploitation and excess, to the assumption in Southland Tales that its audience has already read the six-volume source material, some films are simply more “cruel” on their audiences than others. So, please, lie back and let The Cultists be your guides through the paralyzing and perplexing void of arthouse, experimental, avant-garde, "cult,” and otherwise just generally weird WTF cinema. Because some films just beg to be annotated. Twitter/Insta: @CinemaOfCruelty Reddit: /r/CinemaOfCruelty
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TV & Film
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From the elusive transcendental logic of Mulholland Drive, to Showgirls’ sly satirical embrace of exploitation and excess, to the assumption in Southland Tales that its audience has already read the six-volume source material, some films are simply more “cruel” on their audiences than others. So, please, lie back and let The Cultists be your guides through the paralyzing and perplexing void of arthouse, experimental, avant-garde, "cult,” and otherwise just generally weird WTF cinema. Because some films just beg to be annotated. Twitter/Insta: @CinemaOfCruelty Reddit: /r/CinemaOfCruelty
Show more...
TV & Film
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TWILIGHT(2008) - Some Like It Cold.
Cinema of Cruelty (Movies for Masochists)
2 hours 58 minutes 57 seconds
2 months ago
TWILIGHT(2008) - Some Like It Cold.

**REPOST** On this week's annotated deep-dive, The Cultists present Catherine Hardwick's wondrously absurd adaptation of Twilight (2008). The tale of a self-loathing undead stalker who has been stuck repeating high school for one hundred years, and the clumsy death-welcoming teen of his dreams, Twilight is a wild trip. Known as the phenomenon that brought a reinvigorated interest in teen paranormal romance to the masses, Hardwick's first and only adaptation circumvents any of the potential softer angles of the genre to instead create a masterpiece of the bizarre. Three parts absurdism, two parts angst, and a healthy dash of the "imp of the perverse," this strange concoction of a film stands alone outside the rest of the subsequent franchise as something truly spectacular.

(That's right, we love this movie. And we aren't even joking).


Deep Dives include:

The film's history and production; the myriad of practical effects; filming locations, comparisons with the novel source material; the joy of teen angst; the aesthetic paradox of May-December romances; Native American lore (from New Brunswick sea serpents to (the lack of) Cold Ones); and why, as even Hardwick herself claims, we have the special tonal peculiarities of this film thanks to a little thing Edgar Allen Poe once called "The Imp of the Perverse."


Episode Safeword:  Consent 


(REPOSTED Episode from 2022 that traveled over from the old Anchor platform with a broken link).

Cinema of Cruelty (Movies for Masochists)
From the elusive transcendental logic of Mulholland Drive, to Showgirls’ sly satirical embrace of exploitation and excess, to the assumption in Southland Tales that its audience has already read the six-volume source material, some films are simply more “cruel” on their audiences than others. So, please, lie back and let The Cultists be your guides through the paralyzing and perplexing void of arthouse, experimental, avant-garde, "cult,” and otherwise just generally weird WTF cinema. Because some films just beg to be annotated. Twitter/Insta: @CinemaOfCruelty Reddit: /r/CinemaOfCruelty