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Cinema of Cruelty (Movies for Masochists)
The Cultists
73 episodes
6 days ago
From the elusive transcendental logic of Mulholland Drive, to Showgirls’ sly satirical embrace of exploitation and excess, to the assumption in Southland Tales that its audience has already read the six-volume source material, some films are simply more “cruel” on their audiences than others. So, please, lie back and let The Cultists be your guides through the paralyzing and perplexing void of arthouse, experimental, avant-garde, "cult,” and otherwise just generally weird WTF cinema. Because some films just beg to be annotated. Twitter/Insta: @CinemaOfCruelty Reddit: /r/CinemaOfCruelty
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TV & Film
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From the elusive transcendental logic of Mulholland Drive, to Showgirls’ sly satirical embrace of exploitation and excess, to the assumption in Southland Tales that its audience has already read the six-volume source material, some films are simply more “cruel” on their audiences than others. So, please, lie back and let The Cultists be your guides through the paralyzing and perplexing void of arthouse, experimental, avant-garde, "cult,” and otherwise just generally weird WTF cinema. Because some films just beg to be annotated. Twitter/Insta: @CinemaOfCruelty Reddit: /r/CinemaOfCruelty
Show more...
TV & Film
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FRANKENSTEIN (1931) - My Gallbladder Belongs to Daddy
Cinema of Cruelty (Movies for Masochists)
2 hours 54 minutes 46 seconds
4 years ago
FRANKENSTEIN (1931) - My Gallbladder Belongs to Daddy

On this week's annotated deep dive, The Cultists present the Universal Studios Hollywood Horror Classic, 'Frankenstein' (1931).  Helmed by the great James Whale, this first installment of a legacy of undying gems tells the well-known tale of Dr. Victor (or in this case "Henry") Frankenstein and his "Creation" - a life composited from scrapped together pieces of other men.  A creature that begs the age old question: how many parts of a man does it take to make a monster?  Well, Let's find out. 

Deep Dives Include: The film's history and production; comparisons (and contrasts) to Mary Shelly's 1818 source novel; the mystery of Peggy Webling's 1927 stage play (upon which this film claims to be based); all those pointed homages to German expressionist classics (from the Metropolis laboratory, to Caligari's somnambulist window entry); the cinematic editions of life-granting electricity and "criminal brains"; the historical precedent for electrocuting corpses and marrying-off orphans; a slew of sequels; and why the Igor-you-know is neither a hunchback nor a lab assistant.     

Episode Safeword: "vitality"

Cinema of Cruelty (Movies for Masochists)
From the elusive transcendental logic of Mulholland Drive, to Showgirls’ sly satirical embrace of exploitation and excess, to the assumption in Southland Tales that its audience has already read the six-volume source material, some films are simply more “cruel” on their audiences than others. So, please, lie back and let The Cultists be your guides through the paralyzing and perplexing void of arthouse, experimental, avant-garde, "cult,” and otherwise just generally weird WTF cinema. Because some films just beg to be annotated. Twitter/Insta: @CinemaOfCruelty Reddit: /r/CinemaOfCruelty