Welcome to Cine-Lit, a podcast from the film programming team at QUAD in Derby, United Kingdom.
Hosted by a cinema programmer with a resident cinema expert plus the occasional special guests, they will be exploring a variety of topics from mainstream cinema, the arthouses, and the history of cinema.
Films you know, films you don't know and films you don't know you don't know.
Get bonus content on PatreonHosted on Acast. See acast.com/privacy for more information.
Welcome to Cine-Lit, a podcast from the film programming team at QUAD in Derby, United Kingdom.
Hosted by a cinema programmer with a resident cinema expert plus the occasional special guests, they will be exploring a variety of topics from mainstream cinema, the arthouses, and the history of cinema.
Films you know, films you don't know and films you don't know you don't know.
Get bonus content on PatreonHosted on Acast. See acast.com/privacy for more information.
Alfred Hitchcock made some of the most well-respected films of all time, Vertigo currently tops the Sight and Sound list of the 100 Greatest Films of All Time but what about some of Hitch's lesser works? Adam and Darrell take a look at two films shot and released during a particularly purple patch for the director. In the midst of films like Rear Window, Vertigo, North By Northwest and Psycho, these two films seem to stand out like criminals in an identity parade. One is a black comedy while the other is based on a true story and leans heavily into film noir. Join us as we talk about Harry and Manny in The Trouble With Harry (1955) and The Wrong Man (1956).
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This episode was originally issued as a Cine-Lit Patreon Subscriber episode in June 2022.
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Check out the Cine-Lit website for additional content and further reading: https://cinelitpodcast.wordpress.com/
Edited by Steve Woodward at https://podcastingeditor.com/
Get bonus content on PatreonHosted on Acast. See acast.com/privacy for more information.
