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Choir Fam Podcast
Dean Luethi & Matthew Myers
145 episodes
3 days ago
“The Spanish language is not treated with the attention and nuance that we often do for many of the languages used for singing auditions. There’s this myth that Americans can't make certain sounds, but in other rehearsals, we work really hard at intense French and German sounds. A lot of composers who aren't familiar with the language set the text in ways that don't make sense and change the meaning. I'd like to keep working at repairing the positionality of Spanish in academic places.” Dr. R...
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Performing Arts
Arts,
Education,
Music,
Music Interviews
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“The Spanish language is not treated with the attention and nuance that we often do for many of the languages used for singing auditions. There’s this myth that Americans can't make certain sounds, but in other rehearsals, we work really hard at intense French and German sounds. A lot of composers who aren't familiar with the language set the text in ways that don't make sense and change the meaning. I'd like to keep working at repairing the positionality of Spanish in academic places.” Dr. R...
Show more...
Performing Arts
Arts,
Education,
Music,
Music Interviews
https://is1-ssl.mzstatic.com/image/thumb/Podcasts211/v4/ac/1b/17/ac1b170a-dc56-6cb7-5127-185dd116181b/mza_992442798604005108.jpg/600x600bb.jpg
Ep. 132 - Expanding Singers' Tone Color Palette - Francis Cathlina
Choir Fam Podcast
45 minutes
2 weeks ago
Ep. 132 - Expanding Singers' Tone Color Palette - Francis Cathlina
“I ask them to sing with maximum efficiency, accessing their singer’s formant, and from there, we’ll ask for specific sounds. Sometimes conductors get stuck asking them to blend, to listen. When we do that, it’s like giving them an 8-pack of Crayola and asking them to color. Instead, we start the rehearsal with a 64-pack and then throughout the rehearsal we might pick out the light blue #2 to color that section of the music. They’re able to access the full breadth of their vocal powers in the...
Choir Fam Podcast
“The Spanish language is not treated with the attention and nuance that we often do for many of the languages used for singing auditions. There’s this myth that Americans can't make certain sounds, but in other rehearsals, we work really hard at intense French and German sounds. A lot of composers who aren't familiar with the language set the text in ways that don't make sense and change the meaning. I'd like to keep working at repairing the positionality of Spanish in academic places.” Dr. R...