Send us a text From drumming in Apathy to running Bands for Bands Entertainment, Elan Schwartz has made the leap from the stage to the promoter's chair. He’s booked everything from unknown locals to big-name nationals—and seen all the rookie mistakes along the way. We talk about what bands need to get booked, why most don’t have an EPK, and what really makes a promoter take notice. If you're trying to get shows, don’t skip this one. Support the show 🎙️ Chillin’ in the Studio A po...
All content for Chillin' in the Studio is the property of Jason Rudy and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Send us a text From drumming in Apathy to running Bands for Bands Entertainment, Elan Schwartz has made the leap from the stage to the promoter's chair. He’s booked everything from unknown locals to big-name nationals—and seen all the rookie mistakes along the way. We talk about what bands need to get booked, why most don’t have an EPK, and what really makes a promoter take notice. If you're trying to get shows, don’t skip this one. Support the show 🎙️ Chillin’ in the Studio A po...
EP: 6 Horror and Heavy Music. Monster of Sound – Brian Fisher
Chillin' in the Studio
1 hour 9 minutes
6 months ago
EP: 6 Horror and Heavy Music. Monster of Sound – Brian Fisher
In this episode of Chillin' in the Studio, we sit down with Brian Fisher — musician, vocalist, multi-instrumentalist, producer, and film scorer — to dive into his journey from the early days of bands like Undertaker and Thro Cult to recording and producing his own projects. Brian shares wild show stories, his evolution into home studio recording, and what it’s like to juggle scoring for film alongside making heavy music. We dig into his love of horror and his favorite gear— don't miss t...
Chillin' in the Studio
Send us a text From drumming in Apathy to running Bands for Bands Entertainment, Elan Schwartz has made the leap from the stage to the promoter's chair. He’s booked everything from unknown locals to big-name nationals—and seen all the rookie mistakes along the way. We talk about what bands need to get booked, why most don’t have an EPK, and what really makes a promoter take notice. If you're trying to get shows, don’t skip this one. Support the show 🎙️ Chillin’ in the Studio A po...
