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Chillin' in the Studio
Jason Rudy
13 episodes
4 months ago
Send us a text From drumming in Apathy to running Bands for Bands Entertainment, Elan Schwartz has made the leap from the stage to the promoter's chair. He’s booked everything from unknown locals to big-name nationals—and seen all the rookie mistakes along the way. We talk about what bands need to get booked, why most don’t have an EPK, and what really makes a promoter take notice. If you're trying to get shows, don’t skip this one. Support the show 🎙️ Chillin’ in the Studio A po...
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Music Interviews
Music,
Music Commentary
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All content for Chillin' in the Studio is the property of Jason Rudy and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Send us a text From drumming in Apathy to running Bands for Bands Entertainment, Elan Schwartz has made the leap from the stage to the promoter's chair. He’s booked everything from unknown locals to big-name nationals—and seen all the rookie mistakes along the way. We talk about what bands need to get booked, why most don’t have an EPK, and what really makes a promoter take notice. If you're trying to get shows, don’t skip this one. Support the show 🎙️ Chillin’ in the Studio A po...
Show more...
Music Interviews
Music,
Music Commentary
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CITS-EP:011 One Man. Five Bands. All Brutal. | Al Glassman (Job for a Cowboy)
Chillin' in the Studio
1 hour 28 minutes
5 months ago
CITS-EP:011 One Man. Five Bands. All Brutal. | Al Glassman (Job for a Cowboy)
Al Glassman joins The Tone Lab – Chillin’ in the Studio podcast to talk about a lifetime of heavy music, from starting Goratory at age 14 to Job for a cowboy. He breaks down the chaos and creativity behind all his projects—Stepdad, Serpent of Gnosis, and even a stint with Despised Icon—and what it takes to juggle multiple extreme bands while staying sharp in the studio. Whether you're a fan of grind, deathcore, or just want to hear what it's like to live and breathe metal across five b...
Chillin' in the Studio
Send us a text From drumming in Apathy to running Bands for Bands Entertainment, Elan Schwartz has made the leap from the stage to the promoter's chair. He’s booked everything from unknown locals to big-name nationals—and seen all the rookie mistakes along the way. We talk about what bands need to get booked, why most don’t have an EPK, and what really makes a promoter take notice. If you're trying to get shows, don’t skip this one. Support the show 🎙️ Chillin’ in the Studio A po...