2. Art and the Wealth Gap: Macrodynamics

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Capital A: Unauthorized Opinions on Money, Art & Everything

Phil Rabovsky

16 episodes

6 days ago

Phil Rabovsky explores "the possibility of there being a future" in this podcast, which considers the world of today and the world yet to come through the lens of art and money.

Visual Arts

Arts

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All content for Capital A: Unauthorized Opinions on Money, Art & Everything is the property of Phil Rabovsky and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.

Phil Rabovsky explores "the possibility of there being a future" in this podcast, which considers the world of today and the world yet to come through the lens of art and money.

Visual Arts

Arts

https://d3t3ozftmdmh3i.cloudfront.net/production/podcast_uploaded_episode/4505250/4505250-1586109503627-ac016299e8fe1.jpg

2. Art and the Wealth Gap: Macrodynamics

Capital A: Unauthorized Opinions on Money, Art & Everything

28 minutes 37 seconds

5 years ago

2. Art and the Wealth Gap: Macrodynamics

Why does being an artist increasingly feel like sending your blood, sweat and tears into the void? Episode 2, Part I explores how concentrations of capital at the top of the market make life hard for working artists on a macro, systemic level.

WORKS CITED

-Marx, Karl. Capital: A Critique of Political Economy. Edited by Frederick Engels. Translated by Samuel Moore and Edward Aveling. Revised edition. Modern Library, 1906, p. 686.

-Debord, Guy. The Society of the Spectacle. Translated by Donald Nicholson-Smith. Revised edition. New York: Zone Books, 1995, §4, §29.

THOUGHT CONTRIBUTORS

-Georgina Rossi, Violist, www.georginarossi.com

-Lane Sell, Master Printmaker, www.shoestringpressny.com

-Sam Ashworth, Novelist and Journalist, samuelashworth.com

-Anonymous, Assistant Director on Broadway

MUSIC

-Theme music and musical consultation: Georgina Rossi, www.georginarossi.com

-Interlude: Ludwig Beethoven, String Quartet No. 16 in F - IV. Grave, Adagio, Allegro