James, Sam, and Eyad get together every week to review and discuss a book in-depth. Books are chosen as part of a thematic miniseries (Contemporary Japanese Fiction, Transhumanist Sci-Fi). Join us as we work toward building a more inclusive, contemporary canon.
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James, Sam, and Eyad get together every week to review and discuss a book in-depth. Books are chosen as part of a thematic miniseries (Contemporary Japanese Fiction, Transhumanist Sci-Fi). Join us as we work toward building a more inclusive, contemporary canon.
We've discussed how Kazuo Ishiguro's Never Let Me Go both is and isn't about cloning. So what is it about? We talk this week about other concerns that come into play and how the vague nature of the novel might allow the reader to overlay such ethical conundrums. But is that asking too much of the reader? Why don't the students run away, and is that even a worthwhile question? What does this book have to do with race, entering the workforce, and cultural indoctrination? Also, Ishiguro clearly has something to say about art, but is it substantially different from Mandel's conclusion in Station Eleven? All that and more in this installment.
For this series we will review and discuss Lincoln in the Bardo by George Saunders Oct 21 - Nov 4, Rodham by Curtis Sittenfeld Nov 11 - Nov 25th, and Never Let Me Go by Kazuo Ishiguro Dec 2 - Dec 16.
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Canonical
James, Sam, and Eyad get together every week to review and discuss a book in-depth. Books are chosen as part of a thematic miniseries (Contemporary Japanese Fiction, Transhumanist Sci-Fi). Join us as we work toward building a more inclusive, contemporary canon.
