Emily Aboud believes that art needs to be political. Whether in its critique of power or its provocation of joy and laughter, art must help move us towards freedom. Her cabaret-play, Splintered, gathers the first person experiences of 12 queer women in Trinidad and Tobago and weaves together these experiences to show how queer women living under threat of homophobic violence manage to cultivate and nurture intimacy, joy and resistance together. Emily says she made an explicit and intentional decision to avoid centring the trauma queer women know so well, deciding instead to let laughter, irreverence and satire act as the vehicle for a necessary critique of what post-colonial countries and cultures decide to hold onto. We explore Emily’s complicated feelings about carnival, her adoration of the mythic shapeshifter Lagahoo, and her challenge to what she calls the false binary between art and science. Emily says art and science are asking the same question in two distinct but connected ways and we discuss how Splintered is evidence of her scientific approach to theatre-making. About Emily Aboud Emily Aboud is a theatre director, a film director and a writer of mixed heritage, born and raised in Trinidad and Tobago, based in London. She won the Evening Standard Future Theatre Award in 2021. She is an associate artist at the Bush Theatre and Artistic Director of Lagahoo Productions. About Busy Being Black Help me shape the future of Busy Being Black by filling out this short listener survey: https://forms.gle/y7y3iQ7RPievyGFP8 Busy Being Black is an exploration and expression of quare liveliness and my guests are those who have learned to live, love and thrive at the intersection of their identities. Your support of the show means the world. Please leave a rating and a review and share these conversations far and wide. As we continue to work towards futures worthy of us all, my hope is that as many of you as possible understand Busy Being Black as a soft, tender and intellectually rigorous place for you to land.  Thank you to our funding partner, myGwork – the business community for LGBT+ professionals, students, inclusive employers and anyone who believes in workplace equality. Thank you to my friend Lazarus Lynch for creating the ancestral and enlivening Busy Being Black theme music. Thank you to Lucian Koncz and Stevie Gatez for helping bring new Busy Being Black artwork into the world. Learn more about your ad choices. Visit megaphone.fm/adchoices