Season 6 continues with another presentation from our 2022 annual conference, Engaged Phenomenology II: Explorations of Embodiment, Emotions, and Spatiality. This episode features a presentation from Charlotte Knowles, University of Groningen and Filipa Melo Lopes, University of Edinburgh. Knowles & Melo Lopes - 'How to Dress Like a Feminist'  Abstract:   From Mary Wollstonecraft to Sandra Bartky, feminist philosophers have historically denounced women’s attention to clothes as a form of complicity with patriarchal hierarchy. Through self-objectifying and laborious forms of dress, women constitute themselves as passive objects, rather than active subjects. The key to liberation, then, has been said to lie in ‘opting out’ of care for one’s appearance. However, this strategy problematically dismisses the pleasure and the sense of creative self-fashioning that women experience in selecting, wearing, and making clothes. Feminist philosophers face therefore an impasse: either we acknowledge the oppressive function of clothes, but risk ignoring women’s lived experience; or we recognise the genuine pleasure and expressive freedom derived from clothes but undermine our ability to critique them. What then, if anything, can we say about what it is to ‘dress well’, in an ethical sense, in a patriarchal society? To answer this question, we adopt a phenomenological perspective, focussing on the relational, dynamic and embodied nature of meaning. We argue that the meaning of clothes is never entirely fixed and that they sit within a relational whole of significations (a ‘world’). Therefore, complicity with gender hierarchy is not a matter of what one wears, but primarily of how one wears it: of one’s relation to clothing and to the world. We develop a phenomenological account of Effortless Dressing that seeks to do justice to feminist critiques, whilst also recognising the pleasure and possibilities that can be found in practices of dressing. We argue ‘effortlessness’ involves: 1) a recognition that clothes have meaning, but that this meaning is not entirely fixed, 2) a critical awareness of the social scripts around dressing, and 3) a relation to clothes that values them for how they enable us to do things in the world, rather than as ends in themselves.    Bio:   Charlotte Knowles is an Assistant Professor in Ethics, Social and Political Philosophy at the University of Groningen. Her primary research areas lie in feminist philosophy and phenomenology, particularly Heidegger and Beauvoir. These interests come together in her work on complicity where she explores issues of freedom, responsibility, agency and oppression from a phenomenological perspective, in order to examine why women sometimes reinforce or uphold their own subordination.    Filipa Melo Lopes is a Lecturer in Philosophy at the University of Edinburgh, where she researches feminist politics, sexual ethics, social philosophy, and the philosophy of Simone de Beauvoir. Her recent publications include Beauvoirian analyses of incel violence and the #Metoo movement.       This recording was taken from our recent conference. The British Society for Phenomenology 2022 Annual UK Conference: ‘Engaged Phenomenology II: Explorations of Embodiment, Emotions, and Sociality' (30 August – 1 September), convened by the University of Exeter, in person and online. This event was co-sponsored by the Wellcome Centre for Cultures and Environments of Health, Egenis, the Shame and Medicine research project, the Imagining Technologies for Disability Futures (itDf) research project, and the British Society for Phenomenology; and included two special panel series from the Shame and Medicine research project and the Imagining Technologies for Disability Futures (itDf) research project.  The British Society for Phenomenology is a not-for-profit organisation set up with the intention of promoting research and awareness in the field of Phenomenology and other cognate arms of philosophical