As Sean said, we did curse poems in the last episode, so we're doing love poems next to get the bitter taste out of our mouths." In this episode, we talk about how love poems are always starting with the threat of sentimentality, always have an implied narrativity, and are always in defiance of Rilke's directive to his young poet addressee, "Don't write love poetry." In this episode, with attention to the fact that we all hate-to-love and love-to-hate love poems, and extra attention to some canonical love poems that are talking about LGBT relationships before the poets could openly talk about them, we talk about Walt Whitman's lesser-known "From Pent-Up Aching Rivers"; Elizabeth Barrett Browning's famous Sonnet 44 about married love; and Frank O'Hara's sweet "Having a Coke with You." (WW: https://whitmanarchive.org/published/LG/1891/poems/30) (EBB: https://www.poetryfoundation.org/poems/50538/sonnets-from-the-portuguese-44-beloved-thou-has-brought-me-many-flowers) (FOH: https://poets.org/poem/having-coke-you)
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As Sean said, we did curse poems in the last episode, so we're doing love poems next to get the bitter taste out of our mouths." In this episode, we talk about how love poems are always starting with the threat of sentimentality, always have an implied narrativity, and are always in defiance of Rilke's directive to his young poet addressee, "Don't write love poetry." In this episode, with attention to the fact that we all hate-to-love and love-to-hate love poems, and extra attention to some canonical love poems that are talking about LGBT relationships before the poets could openly talk about them, we talk about Walt Whitman's lesser-known "From Pent-Up Aching Rivers"; Elizabeth Barrett Browning's famous Sonnet 44 about married love; and Frank O'Hara's sweet "Having a Coke with You." (WW: https://whitmanarchive.org/published/LG/1891/poems/30) (EBB: https://www.poetryfoundation.org/poems/50538/sonnets-from-the-portuguese-44-beloved-thou-has-brought-me-many-flowers) (FOH: https://poets.org/poem/having-coke-you)
In this episode we discuss line breaks, enjambment, line endings--the typographical feature that alerts readers that they are encountering a poem. We discuss "To a Poor Old Woman" by William Carlos Williams; "What are the Years" by Marianne Moore; and "Dream Song 89" by John Berryman.
Williams:(https://www.poetryfoundation.org/resources/learning/core-poems/detail/51653)
Moore:
(http://scienceplanets-rudi.blogspot.com/2011/08/poem-what-are-years-by-marianne-moore.html)
Berryman: (https://allpoetry.com/Dream-Song-89:-Op.-posth.-no.-12)
For those of you following along with the links... notice how WCW doesn't read the line breaks in the recording of "To a Poor Old Woman"!
Black Box Poetry
As Sean said, we did curse poems in the last episode, so we're doing love poems next to get the bitter taste out of our mouths." In this episode, we talk about how love poems are always starting with the threat of sentimentality, always have an implied narrativity, and are always in defiance of Rilke's directive to his young poet addressee, "Don't write love poetry." In this episode, with attention to the fact that we all hate-to-love and love-to-hate love poems, and extra attention to some canonical love poems that are talking about LGBT relationships before the poets could openly talk about them, we talk about Walt Whitman's lesser-known "From Pent-Up Aching Rivers"; Elizabeth Barrett Browning's famous Sonnet 44 about married love; and Frank O'Hara's sweet "Having a Coke with You." (WW: https://whitmanarchive.org/published/LG/1891/poems/30) (EBB: https://www.poetryfoundation.org/poems/50538/sonnets-from-the-portuguese-44-beloved-thou-has-brought-me-many-flowers) (FOH: https://poets.org/poem/having-coke-you)
