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Beyond The Frame
Ryan Vanderhei, Joe Parente & Heidi Roodvoets
76 episodes
1 week ago
In this episode, we discuss the 2025 foreign language film 'It Was Just an Accident'. This film is directed by Iranian filmmaker Jafar Panahi and was this year's Palme d'Or winner at the Cannes Film Festival. Panahi made this film in secret without authorization from the Iranian government. Some of the film's content is based on his own experiences and those of his fellow inmates he met while imprisoned in Evin Prison in Tehran. We round out our discussion by breaking down the penultimate sce...
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TV & Film
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All content for Beyond The Frame is the property of Ryan Vanderhei, Joe Parente & Heidi Roodvoets and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
In this episode, we discuss the 2025 foreign language film 'It Was Just an Accident'. This film is directed by Iranian filmmaker Jafar Panahi and was this year's Palme d'Or winner at the Cannes Film Festival. Panahi made this film in secret without authorization from the Iranian government. Some of the film's content is based on his own experiences and those of his fellow inmates he met while imprisoned in Evin Prison in Tehran. We round out our discussion by breaking down the penultimate sce...
Show more...
TV & Film
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'The Master' And Wondering If It's Possible To Live Life Without One
Beyond The Frame
41 minutes
1 month ago
'The Master' And Wondering If It's Possible To Live Life Without One
A film analysis and movie breakdown of the 2012 film 'The Master'. In this episode we explore the question the master asks us: Is it possible to live life without a master? Paul Thomas Anderson's magnum opus is an extraordinary cinematic achievement that explores human struggle, belief, cultism, and so much more.
Beyond The Frame
In this episode, we discuss the 2025 foreign language film 'It Was Just an Accident'. This film is directed by Iranian filmmaker Jafar Panahi and was this year's Palme d'Or winner at the Cannes Film Festival. Panahi made this film in secret without authorization from the Iranian government. Some of the film's content is based on his own experiences and those of his fellow inmates he met while imprisoned in Evin Prison in Tehran. We round out our discussion by breaking down the penultimate sce...