We pull apart Melbourne Fringe with equal parts affection and frustration while admitting we’re still a bit wobbly from the last episode. Culture feels splintered, audiences feel cautious, and we ask whether Fringe should be stranger while stand‑up finds its own lane. • Melbourne Fringe as identity crisis point • hypnosis shows, improv energy, and audience buy‑in • culture reset after lockdowns and a lost zeitgeist • competing with the past and novelty fatigue • Warhammer ResinGate as a meta...
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We pull apart Melbourne Fringe with equal parts affection and frustration while admitting we’re still a bit wobbly from the last episode. Culture feels splintered, audiences feel cautious, and we ask whether Fringe should be stranger while stand‑up finds its own lane. • Melbourne Fringe as identity crisis point • hypnosis shows, improv energy, and audience buy‑in • culture reset after lockdowns and a lost zeitgeist • competing with the past and novelty fatigue • Warhammer ResinGate as a meta...
WOAH! So you're telling me you want Joel Temperly and Sharam Namdarian to tell you how to get a gig in comedy? What japes, what jests. Seriously though, it can be quite difficult. If you're NOT a comedian, you might find this insightful anyway. You're trying to get stuff going on, you're a hustler, lead into hustle culture by people trying to sell you things. Maybe you're somebody who's trying to break into a new scene in an age of the internet where everything is just a bit to hard because...
Best Frienemies
We pull apart Melbourne Fringe with equal parts affection and frustration while admitting we’re still a bit wobbly from the last episode. Culture feels splintered, audiences feel cautious, and we ask whether Fringe should be stranger while stand‑up finds its own lane. • Melbourne Fringe as identity crisis point • hypnosis shows, improv energy, and audience buy‑in • culture reset after lockdowns and a lost zeitgeist • competing with the past and novelty fatigue • Warhammer ResinGate as a meta...
