Welcome to Below the Line, the film industry podcast that looks at moviemaking from the crew’s perspective. My name is Skid — I’m a former Assistant Director and your host. Each week I sit down with production friends, both old and new, to share stories from their time on set.
Each episode dives into a specific film, television series, or theme relevant to working in Hollywood. Subscribe wherever you get your podcasts, or browse the episodes below — you might discover something new about one of your favorites.
Have thoughts about an episode or feedback on the podcast? I’d love to hear from you: skid@belowtheline.biz
All content for BELOW THE LINE PODCAST is the property of Skid - DGA Assistant Director and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Welcome to Below the Line, the film industry podcast that looks at moviemaking from the crew’s perspective. My name is Skid — I’m a former Assistant Director and your host. Each week I sit down with production friends, both old and new, to share stories from their time on set.
Each episode dives into a specific film, television series, or theme relevant to working in Hollywood. Subscribe wherever you get your podcasts, or browse the episodes below — you might discover something new about one of your favorites.
Have thoughts about an episode or feedback on the podcast? I’d love to hear from you: skid@belowtheline.biz
In Alien: Earth, the music has to merge sci-fi horror with sci-fi action — all while carrying the emotional core of Noah Hawley’s storytelling.
This week on Below the Line, Score Composer Jeff Russo joins Skid and returning co-host Louis Weeks to discuss his work on Alien: Earth, the FX series now airing its first season. An Emmy-winning and multiple Emmy-nominated composer, Jeff talks through how his music honors the legacy of Alien while building something entirely new — with select clips from his score woven throughout the conversation.
Here’s what we cover:
Collaborating with Noah Hawley from the earliest concept stage — five years before cameras rolled
Weaving together the tones of Alien (1979) and Aliens (1986) while still making the score uniquely his own
Creating distinct sonic palettes for human, alien, and synth characters — and finding ways to blend them
Crafting character-driven themes, including Wendy’s motif and the “Siblings” theme
Integrating unusual instruments like the bass desmaphone and Aztec death whistle to shape the show’s sonic identity
How serialized storytelling allows themes to grow and evolve across multiple episodes
Building episode-specific releases, like the standalone score for Episode 5
Jeff also shares how his long creative partnership with Hawley has shaped his process — and why building trust early makes it easier to take musical risks later.
🎧 Press play and go Below the Line on Alien: Earth. For more, visit belowtheline.biz.
BELOW THE LINE PODCAST
Welcome to Below the Line, the film industry podcast that looks at moviemaking from the crew’s perspective. My name is Skid — I’m a former Assistant Director and your host. Each week I sit down with production friends, both old and new, to share stories from their time on set.
Each episode dives into a specific film, television series, or theme relevant to working in Hollywood. Subscribe wherever you get your podcasts, or browse the episodes below — you might discover something new about one of your favorites.
Have thoughts about an episode or feedback on the podcast? I’d love to hear from you: skid@belowtheline.biz